Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
It seems impossible to support a Royal English Opera House with
its special commodity of English Opera, that is, Opera composed by
an Englishman to an Englishman's libretto, and played by English
operatic singers. _Ivanhoe_, a genuine English Opera, by a genuine
English Composer (with an Irish name), produced with great éclat,
has, after a fair run and lots of favour, been Doylécarté, in order
to make room for the _Basoche_, an essentially French Opera, by a
French Composer and Librettist, done, of course, into English, so
as to be "understanded of the people." The _Basoche_ has "caught
on," and our friends in front, including Composer, Librettist, and
Middleman--Druriolanus, who bought it, and Doyly Carty, who bought it
of Sir Druri--are all equally pleased and satisfied. Considered as a
matter of business, what signifies the nationality as long as the spec
pays?--_tout est là_.
"Druriolanus" was _Punch's_ ingenious _agnomen_ for Augustus Harris,
who, beginning as a melodramatic actor, had blossomed into a manager
and operatic _impresario_ and was knighted in 1891. It was at the
close of the same year that Mascagni's _Cavalleria Rusticana_ was
first produced in England, scored a success which the composer has
never succeeded in recapturing, and established the tyranny of the
"Intermezzo," which is not even yet overpast. Verga's powerful story of
love and revenge, on which the libretto is based, counted for much, but
the crude emotional vigour of the score is not to be denied. _Punch_
adored the "Intermezzo," speaks of the "charm" of the music, but says
nothing of the plot. The Italian Company in 1891 were only moderately
good; Madame Calvé's marvellously tragic impersonation of Santuzza,
in the season of 1892, is inseparably associated in the minds of
middle-aged opera-goers with Mascagni's solitary triumph.
[Illustration: AN IRISH MELODY TRANSPLANTED
GERMAN TENOR WARBLES:--
"I'll not leaf zee, sow lone von,
To bine on ze Schtem!
Zins ze lôfly are Szchleebingk,
Coh! szchleeeb sow fiz dem!
Zos ghyntly I schgadder
Zy leafs on the bet,
Vair zy maids of ze karrten
Lie schentless and tet!"
]
[Sidenote: _Gilbert and Sullivan_]
Public-domain text, read in full here on John Shaqi.
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