Mr. Punch's History of Modern England, Vol. 4 (of 4).—1892-1914Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 4 (of 4).—1892-1914
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
No serious student of dermatology can have avoided noticing the
enormous increase in the use of brown boots in the last quarter of a
century. In 1879 a clubman would no more have thought of walking down
Pall Mall in brown boots than of flying. But now even archdeacons
frequent the Athenæum Club in that ubiquitous footwear.
Necessity is probably the mother of invention, as Lord Avebury has
pointedly remarked, and the introduction of the brown boot is due,
according to a well-known Bond Street maker, to the exigencies
of a retired General, who, finding it difficult to get his boots
adequately blacked at his chambers, suggested, as a solution of his
embarrassment, that it might be possible to devise a form of boot
in which blacking could be entirely dispensed with. The example at
once provoked imitation, and now it is estimated by Dr. Nicholson
Roberts in the _Bootman_ that in London alone 1,250,000 pairs of
tawny-coloured footgear are sold in the year.
Boots, it may not be generally known, are made from the hides of
various animals, terrestrial and marine. The skin is removed after the
animal has been slaughtered, not before, and is then subjected to a
variety of preliminary processes of a mollifying character, of which
the most important is that of tanning. Tan, or tannin, as it is more
correctly called, is a substance of a friable texture and a highly
pronounced but hygienic odour. It is principally found in Indian
tea, whence it is extracted by machinery especially designed for the
purpose, and stored in tanyards. It is also occasionally used to
deaden the sound of traffic and provide equestrians with a substratum
calculated to minimize the wear and tear of their horses' hoofs. Dogs
of certain breeds are also technically described as being "black and
tan."
The process of bootmaking, of which the headquarters is at
Northampton, will be familiar to all who have attended the
performances of Wagner's opera _Die Meistersinger_. It involves
the use of powerful cutting instruments, cobbler's wax, needles,
thread, and other implements, and the principal terms in its somewhat
extensive terminology are vamp, welt, upper leathers, and nether sole.
Bootmakers, like tailors, commonly sit cross-legged at their work, and
hold pronounced political views; hence the term freebooter. But it has
been noted that the makers of brown boots incline to Liberal Unionism.
Their patron saint is Giordano Bruno, and in theology they affect
latitudinarianism.
The term "brown boots," it should also be noted, is a misnomer, as it
includes shades of yellow, orange, and russet. Army men affect the
latter, while stockbrokers and solicitors prefer the former.
Public-domain text, read in full here on John Shaqi.
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