Mr. Punch's History of Modern England, Vol. 4 (of 4).—1892-1914Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 4 (of 4).—1892-1914
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
Throughout this period whiskers remained in disfavour with all men of
fashion, though they lingered on among the elderly and the middle-aged.
Pianists, artists and literary geniuses still wore their hair long.
The value of a beard in correcting an imperfect profile was admirably
illustrated in Du Maurier's picture of the complacent Admiral in
1894, and naval officers, then and now, availed themselves of a
privilege denied to the other Service, without any loss of trimness
and smartness of appearance. The "toothbrush" moustache dates back to
pre-War days, and its popularity was not impaired when early in 1914
the General commanding the Prussian Guards Corps forbade its adoption
as "not consonant with the German national character." Waxed ends
to the moustache were now only worn by policemen, taxi-drivers and
Labour leaders. But the outstanding feature of male _coiffure_ during
the latter part of this period was the adoption of the practice of
liberally oiling or pomading the hair and brushing it right back over
the head without any parting. Whence the practice came I do not know,
but it became almost universal amongst "nuts," undergraduates and the
senior boys at our public schools. _Punch_ did not admire the fashion,
but it must have been a gold mine to all dealers in bear's grease,
brilliantine, Macassar's "incomparable oil," and all manner of unguents
simple or synthetic.
[Sidenote: _Revival of Crinoline Threatened_]
_Punch's_ chronicle of feminine fashion opens in 1893 with the menace
of a return of the crinoline, the bare mention of which was enough to
upset his equanimity, for his seven years' war against it had by his
own admission been more or less of a failure:--
CRINOLINE
Rumour whispers, so we glean
From the papers, there have been
Thoughts of bringing on the scene
This mad, monstrous, metal screen,
Hiding woman's graceful mien.
Better Jewish gaberdine
Than, thus swelled out, satin's sheen!
Vilest garment ever seen!
Form unknown in things terrene;
Even monsters pliocene
Were not so ill-shaped, I ween.
Women wearing this machine,
Were they fat or were they lean--
Small as Wordsworth's celandine,
Large as sail that's called lateen--
Simply swept the pavement clean:
Hapless man was crushed between
Flat as any tinned sardine.
Thing to rouse a Bishop's spleen,
Make a Canon or a Dean
Speak in language not serene.
We must all be very green,
And our senses not too keen,
If we can't say what we mean,
Write in paper, magazine,
Send petitions to the Queen,
Get the House to intervene.
Paris fashion's transmarine--
Let us stop by quarantine
Catastrophic Crinoline!
[Illustration: FASHION
"Oh, Mummy, have you been vaccinated on _both_ arms?"]
Public-domain text, read in full here on John Shaqi.
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