Mr. Punch's History of Modern England, Vol. 4 (of 4).—1892-1914Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 4 (of 4).—1892-1914
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
Last of our land's great singers, dowered at birth
With music's passion, swift and sweet and strong,
Who taught in heavenly numbers, new to earth,
The wizardry of song--
His spirit, fashioned after Freedom's mould,
Impatient of the bonds that mortals bear,
Achieves a franchise large and uncontrolled,
Rapt through the void of air.
"What of the night?" For him no night can be;
The night is ours, left songless and forlorn;
Yet o'er the darkness, where he wanders free,
Behold, a star is born!
George Meredith was an old friend of _Punch's_ from the days when he
contributed to _Once a Week_, but he was not exempt from criticism on
that account, as I have already shown. In 1894 he was again burlesqued
in a parody of _Lord Ormont and his Aminta_, which ran through three
numbers and was decorated with a portrait of the author as a bull in
the china shop of syntax, grammar and form. _Punch_ in middle age
only dimly appreciated Meredith's genius, and was disconcerted by his
obscurity. _Punch_ erred in good company, for Tennyson is reported to
have said that "reading Meredith is like wading through glue"; but
sixteen years later the mists cleared away, and the verses of May,
1909, reveal insight as well as admiration:--
Masked in the beauty of the May-dawn's birth,
Death came and kissed the brow still nobly fair,
And hushed that heart of youth for which the earth
Still kept its morning air.
Long time initiate in her lovely lore,
Now is he one with Nature's woods and streams,
Whereof, a Paradisal robe, he wore
The visionary gleams.
* * * * *
When from his lips immortal music broke,
It was the myriad voice of vale and hill;
"The lark ascending" poured a song that woke
An echo sweeter still.
Yet most we mourn his loss as one who gave
The gift of laughter and the boon of tears,
Interpreter of life, its gay and grave,
Its human hopes and fears.
Seer of the soul of things, inspired to know
Man's heart and woman's, over all he threw
The spell of fancy's iridescent glow,
The sheen of sunlit dew.
And of the fellowship of that great Age
For whose return our eyes have waited long,
None left so rich a twofold heritage
Of high romance and song.
[Sidenote: "_Eminent Victorians_"]
Public-domain text, read in full here on John Shaqi.
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