Mr. Punch's History of Modern England, Vol. 4 (of 4).—1892-1914Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 4 (of 4).—1892-1914
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
A Royal Academician is a person who doesn't think and paints what
other people see.
A Genius is a person who doesn't see and paints what other people
don't think.
A Critic is a person who doesn't paint and thinks what other people
don't see.
The Public are people who don't see or think what other people don't
paint.
A Dealer is a person that sees that people who paint don't think, and
who thinks that people who don't paint don't see. He sees people who
don't see people who paint; he thinks that people who paint don't see
people who see; and he sees what people who don't paint think.
FINALLY
A Reader is a person whose head swims.
The art critics accredited to the daily Press, like their musical
colleagues, could no longer be accused of lagging behind the modernist
tendencies of the times: they aspired to be in the van of progress.
In 1913 _Punch_ burlesques the wonderful phraseology of _The Times_
art critic in one of his "Studies of reviewers," which deals with the
exhibitors at the Neo-British Art League. It may suffice to quote the
appreciations of Mme. Strulda Brugh and Mr. Marcellus Thom. The method
of the former, as illustrated by her "Pekinese Puppies," is contrasted
with that of the Congestionist school in that she "deanthropomorphizes
her scheme of pigmentation into nodules of aplanatic voluminosity":--
When therefore we have to assume a fluorescent reticulation of the
interstitial sonorities, a situation is developed which might well
baffle any but an advanced expert in transcendental mathematics. As a
result the modelling of the puppies' tails is lacking in curvilinear
conviction; their heads fail in canine suggestiveness, their fore-paws
in prehensile subjectivity.
Mr. Marcellus Thom's "Sardine Fishers in the Adriatic," executed
in "creosoted truffle stick," is a masterpiece of "suppressed but
dignified antinomianism":--
Wonderful though the drawing and the interfiltration of coordinating
paraboloids are, it is the psychological content of the picture rather
than its direct presentative significance which affects the solar
plexus of the enlightened onlooker. The whole atmosphere is summarized
and condensed in a circumambient and oleaginous aura.... To do full
justice to such a picture is unhappily beyond the resources of the
most sublime preciosity. It demands the [Greek: esôterikê phlyaria] of
Theopompus of Megalocrania or even the _intima desipientia_ distilled
in the _Atopiad_ of Vesanus Sanguinolentus.
[Illustration: The Hanging Committee _Sir Hubert Herkomer_, R.A.]
[Illustration: Portrait of Miss Guldheimer _J. Sargent, R.A._]
[Illustration: The Young Squire's Wedding _H. H. La Thangue, A.R.A._]
[Illustration: "The red orb sinks, the toiler's day is done" _B. W.
Leader, R.A._]
Public-domain text, read in full here on John Shaqi.
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