England -- Fiction; Fox hunting -- Fiction; Humorous stories; Hunting stories
'Fine thing,' observed Jawleyford, starting off to a side, and pointing to
it; 'fine thing--Italian marble--by Frere--cost a vast of money--was
offered three hundred for it. Are you a judge of these things?' asked
Jawleyford; 'are you a judge of these things?'
'A little,' replied Sponge, 'a little'; thinking he might as well see what
his intended father-in-law's personal property was like.
'There's a beautiful thing!' observed Jawleyford, pointing to another
group. 'I picked that up for a mere nothing--twenty guineas--worth two
hundred at least. Lipsalve, the great picture-dealer in Gammon Passage,
offered me Murillo's "Adoration of the Virgin and Shepherds," for which he
showed me a receipt for a hundred and eighty-five, for it.'
'Indeed!' replied Sponge, 'what is it?'
'It's a Bacchanal group, after Poussin, sculptured by Marin. I bought it at
Lord Breakdown's sale; it happened to be a wet day--much such a day as
this--and things went for nothing. This you'll know, I presume?' observed
Jawleyford, laying his hand on a life-size bust of Diana, in Italian
marble.
'No, I don't,' replied Sponge.
'No!' exclaimed Jawleyford; 'I thought everybody had known this: this is my
celebrated "Diana," by Noindon--one of the finest things in the world.
Louis Philippe sent an agent over to this country expressly to buy it.'
'Why didn't you sell it him?' asked Sponge.
'Didn't want the money,' replied Jawleyford, 'didn't want the money. In
addition to which, though a king, he was a bit of a screw, and we couldn't
agree upon terms. This,' observed Jawleyford, 'is a vase of the Cinque
Cento period--a very fine thing; and this,' laying his hand on the crown of
a much frizzed, barber's-window-looking bust, 'of course you know?'
'No, I don't,' replied Sponge.
'No!' exclaimed Jawleyford, in astonishment.
'No,' repeated Sponge.
'Look again, my dear fellow; you _must_ know it,' observed Jawleyford.
'I suppose it's meant for you,' at last replied Sponge, seeing his host's
anxiety.
'_Meant!_ my dear fellow; why, don't you think it like?'
'Why, there's a resemblance, certainly,' said Sponge, 'now that one knows.
But I shouldn't have guessed it was you.'
'Oh, my dear Mr. Sponge!' exclaimed Jawleyford, in a tone of mortification,
'Do you _really_ mean to say you don't think it like?'
'Why, yes, it's like,' replied Sponge, seeing which way his host wanted it;
'it's like, certainly; the want of expression in the eye makes such a
difference between a bust and a picture.'
'True,' replied Jawleyford, comforted--'true,' repeated he, looking
affectionately at it; 'I should say it was very like--like as anything can
be. You are rather too much above it there, you see; sit down here,'
continued he, leading Sponge to an ottoman surrounding a huge model of the
column in the Place Vendome, that stood in the middle of the room--'sit
down here now, and look, and say if you don't think it like?'
[Illustration: 'THIS, OF COURSE, YOU KNOW?']
Public-domain text, read in full here on John Shaqi.
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