Love stories; New England -- Social life and customs -- 19th century -- Fiction
“So you would challenge the gay deceiver to mortal combat? Weapons,
a fan against a pocket-comb, across a skein of sewing-silk. Hail! O
Attila! scourge of Flirtationdom! Newport will be depopulated when your
plan prevails.”
“Depopulated of gay deceivers and their victims. You and I, Miss Clara
and Paulding, would be left to weep over the slain and strew their
graves with old bouquet leaves. But pity the sorrows of the young
heroes, murdered now and unavenged, while their murderesses sing their
siren song to annual freshmen.”
“But why do your freshmen listen to siren songs?”
“Freshmen love music and are unfamiliar with sirens. And even men no
longer so fresh, who have been forced to hear sorrowful songs, may
mistake siren song for angel song. Harmony is so rare and so heavenly.
We hear it one day, and land. We meet no chilling reception; the siren
sings on sweetly. The dewy violet and the thornless rose are still
worn and the young heart or the weary heart has but one word more of
passion to say. The third and last degree of lovers’ lessons waits
to be taken, lip to lip. But--_Halte là!_ ‘Will you walk out of my
parlour?’ says the spider to the fly. ‘Certainly, fair tarantula,
since you insist upon it.’ Another freshman is on the threshold, or
another not-so-very-fresh may be wooed into the web. Continue, pretty
dear, your wanton wiles. Sing away, Siren, seeming angel. We are out.
_Adieu!_” and Dunstan, whose cigar was smoked to the thick, drew an
immense puff and breathing out a perfect ring, deposited it upon his
engagement finger. He held up his hand, while the smoke slowly drifted
away in the still, warm air.
Diana laughed. “Very well done, the ring and the description. But
the termination was rather too contemptuous for the poetry of the
beginning.”
“Was it?” said he. “Contempt is not a pleasant feeling. I supposed
myself too old to express, if not to have it.”
“Did you mean your history,” asked Diana, “for the epitaph of a dead
love?”
“A dead love? No! Diana, no! It was the _hic jacet_ on the cenotaph of
a hundred buried flirtations--my own and other men’s. Not all of them
can chisel the inscription as coolly as I do, nor be as indulgent as I
am to the memory of the names inscribed. But love! Love is undying!”
As he said this, they heard a little rustle and a sigh near them. They
turned. It was Miss Milly Center. She had heard, perhaps, all the
conversation. She rose and seemed about to speak, but her effort ended
in something like a sob, and two rather well-made tears started and
overran her cheeks.
Just then a cheerful voice came over the hill: “‘Oh, Susannah! don’t
you cry for me----’” and a very shiny glazed hat with a black ribbon,
such as is some men’s ideal of “the thing” for a head-piece at a
water-party, appeared. This hat was on the top of Billy Dulger.
“I was looking for you, Miss Milly,” he cried, “and wondering where you
had wandered to.”
Public-domain text, read in full here on John Shaqi.
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