Anyone but a refined novice would have divined at once that the act
of passing her around, like a plate of hot cakes, argued one of two
things—either that she was a “professional” of some sort, or that her
hostess was lamentably ignorant of the law demanding that the one to
be honored by an introduction should stand still and have the other
party to the ceremony brought to her. Kitty, at least, was no novice,
and everybody except her “school-crony” comprehended exactly what the
scene meant. Although she did not suspect it, she was on trial when
she sat down to the piano, the show-woman beside her, as the guileless
guest supposed, to give her affectionate encouragement. The first flash
of her fingers across the keys was the signal for general silence,
and the clapping of gloved hands at the conclusion of the brilliant
overture attested intelligent appreciation. She was not allowed to
leave the music stool for half an hour, one piece after another being
called for, and the choice of selections putting her on her mettle. Her
auditors were used to good music, and the assumption that she would
gratify them was a delicate compliment.
Kitty came to her elbow at length with a glass of clear liquid,
sparkling with pounded ice.
“Only lime-juice and water,” she whispered, “to clear your voice. I
have praised your singing until everybody is _wild_ to hear you.”
Susie smiled happily, glancing over her shoulder with an unconscious
and graceful gesture of gratitude; a bow, slight, but comprehensive,
she might have but had not copied from a popular prima donna. Another
rapid run of the nimble fingers over the responsive ivory, and she
glided into the prelude to Gounod’s never-trite song, “_Chantez! Riez!
Dormez!_”
She had sung but a few bars when her ear caught the muffled tread of
feet in the hall. A side-glance at the mirror showed her a picture
that might have been clipped from her British _contes de société_, the
grouping of manly faces and fashionable dress coats in the curtained
arch, all intent upon herself as the enchantress who held them mute and
eager. Electric fire streamed through her veins, her voice soared and
swelled as never before; her enunciation, exquisitely pure and clear,
carried each word up to the loftiest story of the stilled mansion:
“_Ah! riez, ma belle! riez! riez, toujours!_”
“Fine, by Jove, now!” cried a big mustached man at Arthur’s side, as
the last notes died upon ecstatic ears. “Patti couldn’t have done it
better!”
The husband repeated this with other encomiums to the songstress after
they got home. He made the tired but animated little woman sit down in
an armchair and pulled off her rubbers and unbuttoned her boots in far
different fashion from that in which the sleepy Abigail had put them on
the feet and helped truss up the train of “the woman who hadn’t come in
a carriage like decent folks.”
Public-domain text, read in full here on John Shaqi.
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