Jane-Anne had never found anything in the least amusing in the work in
question; interesting, certainly; "touching" (the lady who gave them
Sunday lessons at the asylum was fond of the word "touching")
frequently; but humorous never. The authorities who chose books for
female orphans at the Bainbridge did not consider the cultivation of a
sense of humour in any way a necessary part of the training.
Presently Montagu began to dip into the book here and there, still
reading with that lightning-like rapidity that so astonished Jane-Anne.
In five minutes he shut it with a slam and looked up at her and laughed.
"What awful rot," he remarked genially, as though certain of sympathy.
Jane-Anne gazed at him in consternation. "Rot?" she faltered.
"Fearful squish; you don’t mean to say you really like it?"
"I don’t know what you mean," she said, so offended that she quite
forgot the respectful "sir."
"It’s so stilted and bombastic and unnatural. The style"—here Montagu
unconsciously gave a perfect imitation of his house master’s manner—"is
so cheap and meretricious."
"I don’t understand about style in books," said Jane-Anne, still much
umbraged. "D’you mean the binding?"
"Good gracious, no. I mean the way it’s written. Listen to this"—and
Montagu opened the book haphazard and read the following extract
aloud:—"’He had been minister of a favourite church in one of the
southern towns, and master of an establishment for youths of high rank,
in both which capacities he had given universal satisfaction. The
reprehensible conduct of some of his pupils, carried on at first so
secretly as to elude his knowledge, at length became so notorious as to
demand examination. He had at first refused all credence, but when
proved by the confused replies of all, and half-confession of some, he
briefly and emphatically laid before them the enormity of their conduct,
and declared, that as confidence was entirely broken between them, he
would resign the honour of their education, refusing to admit them any
longer as members of his establishment.’ There!" Montagu exclaimed,
"could you have anything worse?"
"I think it’s all said very properly and grandly," Jane-Anne protested.
"I don’t see what’s the matter with it at all."
Montagu rolled over on the grass and sat up. "It’s the grandness that’s
so detestable."
"It’s my best prize," she said indignantly.
"I’m sorry," said Montagu, seeing that she was really hurt, "but you ask
Guardie about that sort of writing."
"It’s printed," snapped Jane-Anne.
Montagu gazed at her in hopeless bewilderment. He had never before
argued with a girl.
Her cheeks were flushed and her eyes filled with angry tears. She
clenched her thin little hands and bit her lips to keep from bursting
into sobs.
"I say," Montagu exclaimed, with real contrition, "why do you mind?
What does it matter what I think?"
Public-domain text, read in full here on John Shaqi.
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