Bertha found reality tolerable when it was merely a background, a foil to the fantastic happenings of old books. She looked at the green trees, and the song of birds mingled agreeably with her thoughts still occupied, perhaps, with the Dolorous Knight of La Mancha, with Manon Lescaut, or with the joyous band that wanders through the _Decameron_. With greater knowledge came greater curiosity, and she forsook the broad highroads of literature for the mountain pathways of some obscure poet, for the bridle-tracks of the Spanish picaroon. She found unexpected satisfaction in the half-forgotten masterpieces of the past, in poets not quite divine whom fashion had left on one side, in the playwrights, and novelists, and essayists, whose remembrance lives only with the bookworm. It is a relief sometimes to look away from the bright sun of perfect achievement; and the writers who appealed to their age and not to posterity, have by contrast a subtle charm. Undazzled by their splendour, one may discern more easily their individualities and the spirit of their time; they have pleasant qualities not always found among their betters, and there is even a certain pathos in their incomplete success. In music also Bertha developed a taste for the half known, the half archaic. It suited the Georgian drawing-room with its old pictures, with its Chippendale and chintz, to play the simple melodies of Couperin and Rameau; the rondos, the gavottes, the sonatinas in powder and patch, which delighted the rococo lords and ladies of a past century. Living away from the present, in an artificial paradise, Bertha was almost completely happy. She found indifference to the whole world a trusty armour: life was easy without love or hate, hope or despair, without ambition, desire of change, or tumultuous passion. So bloom the flowers; unconscious, uncaring, the bud bursts from the enclosing leaf, and opens to the sunshine, squanders its perfume to the breeze and there is none to see its beauty--and then it dies. Bertha found it possible to look back upon the past years with something like amusement. It seemed now melodramatic to have loved the simple Edward with such violence, and she was able even to smile at the contrast between her vivid expectations and the flat reality. Gerald was a pleasantly sentimental memory; she did not wish to see him again, but thought of him often, idealising him till he became unsubstantial as a character in a favourite book. Her winter in Italy also formed the motive of some of her most delightful thoughts, and she determined never to spoil the impression by another visit. She had advanced a good deal in the art of life when she realised that pleasure came by surprise, that happiness was a spirit which descended unawares, and seldom when it was sought.