Ruth sat regarding her, her deep eyes glowing. Mrs. Falchion
continued: "In short, he finds the bandbox, as you call it, suited to his
renunciations. Its simplicities, which he thinks is regeneration, are
only new sensations. But--you have often noticed the signification of
a 'but,'" she added, smiling, tapping her cheek lightly with the ivory
knife--"but the hour arrives when the bandbox becomes a prison, when the
simple hours cloy. Then the ordinary incident is merely gauche, and
expiation a bore.
"I see by your face that you understand quite what I mean. . . .
Well, these things occasionally happen. The great mistake follows the
man, and, by a greater misery, breaks the misery of the bandbox; or the
man himself, hating his captivity, becomes reckless, does some mad thing,
and has a miserable end. Or again, some one who holds the key to his
mistake comes in from the world he has left, and considers--considers,
you understand!--whether to leave him to work out his servitude, or,
mercifully--if he is not altogether blind--permit him the means of escape
to his old world, to the life to which he was born--away from the bandbox
and all therein. . . . I hope I have not tired you--I am sure I have."
Ruth saw the full meaning of Mrs. Falchion's words. She realised that
her happiness, his happiness--everything--was at stake. All Mrs.
Falchion's old self was battling with her new self. She had determined
to abide by the result of this meeting. She had spoken in a half gay
tone, but her words were not everything; the woman herself was there,
speaking in every feature and glance. Ruth had listened with an
occasional change of colour, but also with an outward pride to which she
seemed suddenly to have grown. But her heart was sick and miserable.
How could it be otherwise, reading, as she did, the tale just told her in
a kind, of allegory, in all its warning, nakedness, and vengeance? But
she detected, too, an occasional painful movement of Mrs. Falchion's
lips, a kind of trouble in the face. She noticed it at first vaguely
as she listened to the music in the other room; but at length she
interpreted it aright, and she did not despair. She did not then follow
her first impulse to show that she saw the real meaning of that speech,
and rise and say, "You are insulting," and bid her good-day.
After all, where was the ground for the charge of insult? The words had
been spoken impersonally. So, after a moment, she said, as she drew a
glove from a hand slightly trembling: "And you honestly think it is the
case: that one having lived such a life as you describe so unusually,
would never be satisfied with a simple life?"
"My dear, never--not such a man as I describe. I know the world."
Public-domain text, read in full here on John Shaqi.
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