Man-woman relationships -- Fiction; Villages -- England -- Fiction
Everybody else was frankly interested in Christopher and Nancy, and
waited hopefully for them to announce their engagement.
“Is it official, yet?” Lady Annabel asked me one day, and when I said,
“No,” she assured me that she understood perfectly and that I could
rely upon her absolute discretion. The years that she had spent in the
Colonial Service, Lady Annabel said, had trained her.
Several people came to the dress rehearsal. Mrs. Fazackerly’s father
invited himself, to the unspeakable dismay of almost everybody, and
General and Mrs. Kendal, of course, were not to be denied.
“I think that Amy will be far less nervous if she sees me there,” said
Mrs. Kendal, with her kindest smile. “Ahlfred, now, is not nervous--but
Amy is. I think she may be less nervous if she sees me there. Call it a
mother’s fancy if you like, Sir Miles, but I can’t help thinking that
Amy will be far less nervous if she sees me in the front row. So there
I shall be.”
And there, in fact, she was.
Puppa was there, too, although less preoccupied with Amy and Alfred
than with the pair of Hessian boots that he had lent for the
performance. So long as they were on the stage, he never took his eyes
off them.
“Is everyone here?” I asked Nancy.
“Mrs. Harter is coming. Bill went to fetch her.”
She sighed.
“It is all very queer, don’t you think--I mean the way in which they go
about together. Of course, I’m dreadfully sorry for Bill. I think he’s
terribly in love with her.”
I was inclined to think so, too, and I found it quite impossible not to
watch them both when they arrived together.
It was not the first time that Mrs. Harter had come to a rehearsal--it
might have been the second, or at most the third.
Bill took her straight up to Mary Ambrey after she had received
Claire’s very brief greeting and had bowed stiffly in reply to mine.
“Will you come into the green room, Mrs. Harter? They’re all getting
ready.”
“I’m sorry we’re so late,” said Bill. “It was my fault; I started late
to fetch her. I’ll just see the curtain go up and then cut off and get
into my things. I don’t come on till the middle of the scene.”
He marched off to the piano, where Nancy sat already.
I heard her say, “Shall I begin the overture?” and Patch answer, “Give
her ten minutes to get changed. She says it won’t take her longer than
that.”
Mrs. Harter, of course, had to be on the stage before anybody else, in
order to sing “The Bulbul Ameer.”
Public-domain text, read in full here on John Shaqi.
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