Man-woman relationships -- Fiction; Villages -- England -- Fiction
“You don’t know what you’re talking about,” suddenly said Claire behind
me. Neither of us had seen her. “A child of your age has neither the
experience nor the understanding to discuss that sort of problem.”
From being natural, if patronizing, Sallie instantly became stiffly
arrogant.
“I’ve already been training for some time with a view to making that or
any other sort of problem affecting human beings my work in life.”
“Even a little medical student of two years’ standing doesn’t know
everything, darling.”
Claire saw herself as being gently and subtly satirical as she said
this, and I saw her as being more or less unconsciously jealous of
Sallie’s youth and her cleverness and her opportunities--and above all
resentful of her self-confidence. But Sallie, I suppose, only saw her
as being stupidly “superior” and aggressive.
“I’ll explain the difference between the medical side and the
psycho-analytical side some other time, cousin Claire,” she said,
smiling. “I’m afraid I haven’t time now.”
Of course she knew as well as I did that nothing is less endurable
to Claire than the suggestion that she stands in need of having any
subject under the sun explained to her.
Sallie walked off, cool and triumphant, and Claire turned white with
anger.
She has often said--and it is perfectly true--that she would share her
last penny with Mary’s children did they stand in need of it. But she
cannot allow them to assert themselves.
Claire was not enjoying the theatricals. Bill Patch had diffidently
offered her a part and she had, wisely enough, refused it. But I
think she regretted all the time not holding the center of the stage,
especially when she found that it was Sallie who quite naturally took
that place. Nancy Fazackerly might be one of the authors of the piece
and get all the credit of the musical part of it, but she was neither
as pretty, as young, as clever, nor as self-assertive as Sallie. Nancy
is always ready to let somebody else take the lead, and moreover, in
those days, she seemed to be living in a dream.
Christopher was very devoted to her, and they looked happy. It was
understood that their engagement would not be announced until Mrs.
Fazackerly judged her father’s mood to be a propitious one. Knowing
Nancy’s weakness, and her parent’s force of character, one was inclined
to look upon the case as being adjourned _sine die_, or at least until
old Carey should be translated into another sphere from this.
The strain on Claire was a considerable one, and of course she did
nothing whatever to lessen it, but, rather, lay awake at nights and
wept, and by day forced upon the unwilling and inadequate Christopher
emotional appeals and impulsive generosities. Nancy had been so much
absorbed by the theatricals that she had, with her usual tact, avoided
Claire altogether, without blatantly appearing to do so.
Now, of course, we were every one of us utterly obsessed by the
theatricals. They seemed to have become the one supreme reality in life.
Public-domain text, read in full here on John Shaqi.
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