In the winter of 1790, Mrs. Robinson entered into a poetical correspondence with Mr. Robert Merry, under the fictitious names of "Laura," and "Laura Maria;" Mr. Merry assuming the title of "Della Crusca."[48] Mrs. Robinson now proceeded in her literary career with redoubled ardour; but, dazzled by the false metaphors and rhapsodical extravagance of some contemporary writers, she suffered her judgment to be misled and her taste to be perverted; an error of which she became afterward sensible. During her poetical disguise, many complimentary poems were addressed to her; several ladies of the Blue Stocking Club, while Mrs. Robinson remained unknown, even ventured to admire, nay more, to recite her productions in their learned and critical coterie. The attention which this novel species of correspondence excited, and the encomiums which were passed on her poems, could not fail to gratify the pride of the writer, who sent her next performance, with her own signature, to the paper published under the title of _The World_, avowing herself at the same time the author of the lines signed "Laura," and "Laura Maria." This information being received by Mr. Bell, though a professed admirer of the genius of Mrs. Robinson, with some degree of skepticism, he replied, "That the poem with which Mrs. Robinson had honoured him was vastly pretty; but that he was well acquainted with the author of the productions alluded to." Mrs. Robinson, a little disgusted at this incredulity, immediately sent for Mr. Bell, whom she found means to convince of her veracity, and of his own injustice. In 1791 Mrs. Robinson produced her quarto poem, entitled "Ainsi va le Monde." This work, containing three hundred and fifty lines, was written in twelve hours, as a reply to Mr. Merry's "Laurel of Liberty," which was sent to Mrs. Robinson on a Saturday; on the Tuesday following the answer was composed and given to the public. Encouraged by popular approbation beyond her most sanguine hopes, Mrs. Robinson now published her first essay in prose, in the romance of "Vancenza," of which the whole edition was sold in one day, and of which five impressions have since followed. It must be confessed that this production owed its popularity to the celebrity of the author's name, and the favourable impression of her talents given to the public by her poetical compositions, rather than to its intrinsic merit. In the same year the poems of Mrs. Robinson were collected and published in one volume. The names of nearly six hundred subscribers, of the most distinguished rank and talents, graced the list which precedes the work.