Great Britain -- History -- 19th century -- Juvenile fiction
"Here, again, novelty exercised its charm. At home I think I may say
that the nursery party without exception regarded dinner in the light
of a troublesome necessity of existence. We were apt to grudge the
length and formalities of the meal; to want to go out, or not to want
to come in; or possibly the dining-room had been in use as a kite
manufactory, or a juvenile artist's studio, or a doll's dressmaker's
establishment, and we objected to make way for the roast meat and
pudding. But on this occasion I took an interest in the dignities of
the dinner-table, and examined the plates and dishes, and admired the
old-fashioned forks and spoons, and puzzled over the entwined initials
on their handles.
"After dinner we went out into the town, and looked through several
houses which were to let. My high hopes and eager interest in the
matter were soon quenched by fatigue; but faithful to my promise, I
examined each house in turn. None of them proved satisfactory to my
parents, and they were even less so to me. They were all new, all
commonplace, and all equally destitute of swing-trees, interesting
corners, deep window-seats, or superannuated boxes. Heat, fatigue, and
disappointment at last so overpowered me that my pale face attracted
notice, and my father brought me back to the inn. He carried me
upstairs to the sofa, and, pointing out a bookshelf for my amusement,
and telling me to order tea if I wished for it, went back to my
mother.
"It was a shabby little collection of volumes, that parlour library in
the 'Saracen's Head.' There was an old family Bible, a torn copy of
'Culpepper's 'Herbal,' the Homilies in inexpressibly greasy black
calf, a book of songs, a volume called 'Evelina,' which seemed chiefly
remarkable for dashes and notes of admiration, and--the book I chose.
"The book I chose would look very dull in your eyes, I dare say, my
dear Ida; you who live in an age of bright, smart story-books, with
clear type, coloured pictures, and gorgeous outsides. You don't know
what small, mean, inartistic 'cuts' enlivened your grandmother's
nursery library, that is, when the books were illustrated at all. You
have no idea how very little amusement was blended with the
instruction, and how much instruction with the amusement in our
playbooks then, and how few there were of them, and how precious those
few were! You can hardly imagine what a treasure I seemed to have
found in a volume which contained several engravings the size of the
page, besides many small wood-cuts scattered through the letter-press.
I lost sight alike of fatigue and disappointment, as I pored over the
pictures, and read bits here and there.
Public-domain text, read in full here on John Shaqi.
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