Many readers may not be inclined to attach much value to Imperator's prayers. They will take them for one of the diabolical inventions of which secondary personalities are capable. Evidently, if we take them apart from the rest, this is the most plausible explanation; but the character and ideas of Imperator must be considered as a whole. I can assure my readers that there is nothing diabolical about him. If Stainton Moses and Mrs Piper have created him, they have created a masterpiece; Imperator inspires respect in the most sceptical. There is another aspect of the phenomena which telepathy does not explain; the dramatic play. The personages at the other end of the wire act, as far as we can judge, with all the appropriateness and distinctive characteristics of reality. There are incidents of this dramatic play, which telepathy cannot explain, in nearly all the sittings. I have given some of them in passing, and will now give some more examples. At M. Bourget's second sitting Mrs Pitman, whom I have mentioned before, suddenly appears, and speaks nearly as follows:[84] "Monsieur, I come to offer you my help. I lived in France and spoke French fairly well when I was living. Tell me what you want, and I can perhaps help you to communicate with this lady." In order to understand the appropriateness of this intervention we must remember that George Pelham, who was acting as intermediary, had complained at the beginning of the sitting that the communicating spirit spoke French and that he did not understand her. One day George Pelham is asked for information about Phinuit, and is about to give it. But Phinuit, who is manifesting through the voice while George Pelham is doing so in writing, perceives this and cries, "You had better shut up about me!" And the spectators witnessed a sort of struggle between the head and the hand. Then George Pelham writes, "All right, it is settled; we will say no more about it." During a sitting in which the sitter's wife gave proofs of identity of a very private nature to her husband she said, "I tell you this, but don't let that gentleman hear." "That gentleman" could not be Dr Hodgson, who had left the room; it was the invisible George Pelham who was habitually present at the sittings at this period. On April 30, 1894, Mr James Mitchell has a sitting.[85] Phinuit begins by giving him appropriate advice about his health. He ends by saying, "You worry, too." Then he adds, "There's a voice I hear as plainly as you would a bell rung, and she says, 'That's right, doctor, tell him not to worry, because he always did so--my dear husband--I want him to enjoy his remaining days in the body. Tell him I am Margaret Mitchell, and I will be with him to the end of eternity, spiritually.'"