Mrs. Radigan: Her Biography, with that of Miss Pearl Veal, and the Memoirs of J. Madison MudisonLloyd, Nelson
General
Mrs. Radigan: Her Biography, with that of Miss Pearl Veal, and the Memoirs of J. Madison Mudison
Lloyd, Nelson
New York (N.Y.) -- Fiction; Satire; Social classes -- Fiction; Women -- Conduct of life -- Fiction
Of all the plays for me to have chosen, "The Smash" was the worst.
It was the first night, and the present Mrs. Underbunk, formerly Amy
Lightly, of the "Whoop-de-doodle" company, was making her début in
the legitimate drama; so, eying us from the dark recesses of the box
across the house was Joshua himself. My mind reverted to that Mrs.
Topper-Tompkins who last summer invaded Newport from Chicago, and had
Jack Tattler to dinner with both Mrs. Bobbie Dingingham and Mrs. Willie
Timpleton. These things will happen nowadays, and we must expect them
and make the best of them. Mrs. Underbunk carried herself beautifully,
and even went so far as to applaud Amy Lightly very generously. The
others in our box noticed it, and when she was not looking they would
get their heads together and discuss her conduct with enthusiastic
admiration. The Tommy Tattlers, of course, knew her, but Winthrop
Jumpkin, 7th, and Constance Twitter had only heard of her. Jumpkin, by
the way, is a new friend of mine, a very decent fellow, though poor;
being from Boston, and tracing his ancestry without a break to the
Puritan who did not come to this country in the _Mayflower_. I had
asked him to match Miss Twitter, but he did not seem to appreciate
the opportunity I had given him to meet many millions, and talked
incessantly to Mrs. Underbunk, leaving me entirely to Mrs. Tattler.
Finally, by getting him nervous about his fur overcoat I engineered
myself into his chair, so when he returned to report the precious
garment safe, I was too deeply engrossed to notice that I had evicted
him.
This was between the acts, of course, during the storm of calls for the
author. To my astonishment, who should come on the stage but Julius
Hogginson Fairfield, the play being only a dramatization of his great
historical novel.
Mrs. Underbunk clapped wildly. "Don't you remember him?" she whispered,
as he was making the usual author's speech refusing a laurel-wreath.
"He is the clever man we met at the Duffs'."
"Ah," said I, pretending that it had just occurred to me. "The fellow
with the queer shoes and the three mother-of-pearl studs."
"Society," said she prettily, "should make allowances for genius."
"Genius," said I, "should make allowances to society. The best nine
tailors living cannot fit a genius. Is there any pall on a properly
conducted social function like the entrance of a man who wears
congress gaiters and mother-of-pearl studs?"
"Ah, Mr. Mudison, you should look at the brain," she protested, shaking
her fan at me.
"But the brains should be well served," said I. "Why should we always
have to have them garnished with hair, with lay-down collars, with awry
coats?"
"It is true," she answered, after a moment of thought. "I should not
care to have them around all the time, but occasionally they give
variety."
Public-domain text, read in full here on John Shaqi.
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