Mrs. Radigan: Her Biography, with that of Miss Pearl Veal, and the Memoirs of J. Madison MudisonLloyd, Nelson
General
Mrs. Radigan: Her Biography, with that of Miss Pearl Veal, and the Memoirs of J. Madison Mudison
Lloyd, Nelson
New York (N.Y.) -- Fiction; Satire; Social classes -- Fiction; Women -- Conduct of life -- Fiction
The cotillon as a means of allowing the greatest possible number of
persons to dance in the least possible space is a failure. If we could
only have a few policemen to keep the stags in their proper place,
besides the detectives who see that no suspicious persons get in as
guests; if we could have laws making it petty larceny to "steal,"
and a misdemeanor to dance at a speed exceeding ten miles an hour,
then our germans might partake somewhat of the stately measure of the
olden time. Now we leaders are proud if we can preserve a semblance of
order, for, instead of conducting a chosen few through some graceful
manoeuvres, our chief duty is to shoo the invading hosts back to their
chairs; to dance with the lovely débutante, and manage a penny bazaar.
Still, everyone said that I did very well, considering the crush,
and they particularly praised the new figure which I got up out of
my own head. [We find here in Mr. Mudison's rough draught a diagram
which looks like a map of Port Arthur during the siege, but it is not
necessary to reproduce it, as he makes his terpsichorean invention
clear.] Forming the girls in the outer circle and the men in the
inner, standing in the middle myself, I made the two wheels revolve
rapidly in opposite directions, the men going backward. The result was
simply kaleidoscopic; dazzling, the on-lookers said, and not without
a humorous side, for there were several collisions, in one of which
the Earl of Less had his monocle broken. In the general shuffle-up of
partners, due to dizziness, there fell to me one of the most charming
girls I have met this winter, Wisteria Plumstone, who is just out,
and so has lost none of her good looks. I must confess the older I
get the more I like débutantes. They appreciate it thoroughly when I
dance with them. Wisteria smiled all over when she saw young Cackling
hunting for her at the other end of the room, and me approaching her
with wide-spread arms. She clung to me as if for protection, and,
contrary to my usual rule to go only once around the room with them, I
circled it four times. A sensible child too; she did not try to talk
further than to venture that the floor was too slippery, and that she
was having a lovely dance. Now, most girls of her age in their efforts
to say something, drive you mad with their disjointed comments on the
music and the people, and when they have learned to keep up a continual
chatter it is no small mental strain to hold your mind on their line
of thought, so as to chime in occasionally with something that would
indicate that you have been listening. However, when I was younger I
used to think that talking with these mere infants about the music
and the people, the last dance and the one to come, about that girl
in pink and the other in blue--I used to think that of such stuff a
divine time was made. The pretty débutante, fresh, unsophisticated,
self-conscious, is a delight to the eye of us old social adventurers,
but our minds demand something more.
Public-domain text, read in full here on John Shaqi.
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