Mrs. Radigan: Her Biography, with that of Miss Pearl Veal, and the Memoirs of J. Madison MudisonLloyd, Nelson
General
Mrs. Radigan: Her Biography, with that of Miss Pearl Veal, and the Memoirs of J. Madison Mudison
Lloyd, Nelson
New York (N.Y.) -- Fiction; Satire; Social classes -- Fiction; Women -- Conduct of life -- Fiction
The other afternoon we were in the library having tea, after our return
from the Fishing Club. Hetherington and Carrie had left the trap and
were walking home, so there were six of us--Pearl Veal and I sitting
by the library window watching the sun set, Radigan studying the stock
quotations in the afternoon paper, Mignonette Klapper playing a new
game of solitaire, and Mrs. Radigan reading to the soldier, the soldier
drinking Scotch and smoking.
"You see how I am developing the heroine, my Lord," we heard her say,
laying aside her manuscript. "Of course Caroline, being enormously
rich, suspects unjustly that the men who flock about her care only for
her money. Her money is her curse, which brings us back to the great
principle of compensation in life. For instance, John has had to give
up raw onions, of which he used to be passionately fond. So Caroline
has everything in the world but love, while Alonzo, the poor artist,
who goes every morning to the park just to see her walk by, loves her
for herself, knows nothing of her wealth, and yet they are divided by
a wide gulf. Our silly conventions require that they must not speak,
and yet she rides by daily and sees him standing by the reservoir in an
attitude of adoration and she yearns for him, but how are they to be
introduced? Of course, as I go on, I shall develop Alonzo."
"Clever, very clever," interrupted his Lordship. "But Mrs. Radigan,
tell me, what do you do about the spelling?"
"That, of course," replied Mrs. Radigan sagely, "is the most difficult
part of literary work, for I have tried using a dictionary and know
what it means. Now I let my secretary do it. I just go kind of
sketching along the ideas and she puts them together, and very well,
too, Hethy Hopper says. Hethy says, too, that if I sign my name the
book will be a success, anyway, because I am well known, to start with.
But I've a better idea than that--have it look as though John and I
collaborated--is that the word? There is something so delightful in
the picture of a husband and wife writing a book together, and think
of the interest that would be aroused by the announcement of 'The Calf
Worshippers,' by John and Sally Radigan."
Radigan's paper rattled to the floor and he sat bolt upright in his
chair, staring at his wife.
"Clever--very clever," cried Lord Algernon, pulling at his long, blond
mustache.
Radigan's voice trembled a little. "My dear," he said, "it is kind of
you to want to share your glory with me, but I would not think of it.
A man can have a clever wife, but the minute he becomes clever himself
he is lost. Remember, my name is up for membership in the Cholmondeley
Club."
"Nonsense," said Mrs. Radigan firmly. "It would silence all those silly
stories in _Town Twaddle_ if people thought we had written a novel
together."
"But think of my having to go on the Stock Exchange after the book was
published," pleaded Radigan.
Public-domain text, read in full here on John Shaqi.
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