"What do you do with a sitter who won't let you bring out her best
points, but insists on making herself into the stiffest sort of a lay
figure?"
"Chloroform her and relax the tension." Brant's tone was grim. Then,
suddenly, he looked up. "Will you let me go in and make a flashlight of
you by a new method I've worked out? I promise you you'll find it a trick
worth knowing."
"I shall be delighted. You've taught me half I know, and I'm more
grateful than I seem."
"I hope that's true," he said, still in the grim tone, as they went up
the garden path toward the house.
Inside the house he became the exponent of the art of which he was past
master. His study was to him only a diversion, but he had become
distinguished in it as an amateur who played at being a professional
for the interest of it, and who possessed a collection of photographic
portraits of half the celebrities in the world. With eager interest
Charlotte watched him manipulate improvised screens and devices for
casting light and shadow, and when he posed her understood the result
he meant to produce.
"Oh, that will give a new effect!" she said, delightedly. "I should never
have thought of it in the world."
"It will almost absolutely overcome the flatness of the flashlight, as
you will see when we develop it--if you will let me stay so long. Now--"
The flash flared and died. Brant smiled with gratification. If he knew
what he was doing he had a new portrait of Charlotte Ruston which would
surpass anything he had yet made of her. It seemed to him that during
these last weeks she had grown even more desirable than he had ever known
her. There had always been a spirit and enchantment about her personality
which had been his undoing, but there was now a quality in it which was
well nigh his despair--the quality born of self-sacrifice and endeavour,
those invisible but potent agencies in the creating of the highest type
of womanly charm.
The pair went into the dark-room together. Here, at least, Mr. Brant
was able to give sincere approval. Although the place was cramped
no necessary detail was lacking. Charlotte had not spared expense
in transporting material or in fitting the spot with the requisite
conveniences for swift and sure work. In a very few minutes Brant was
showing his pupil the negative, which her trained eye was fully able
to appreciate.
"Oh, that will make a perfect print," she exclaimed, everything else
forgotten in the joy of the artist over the overcoming of difficulties.
"You certainly have conquered almost the last obstacle to the making of
flashlight portraits. That will be soft as daylight. I will make the
print to-morrow and let you know."
"You don't mean to send me merely a report of its appearance, I hope."
She laughed. "Of course I'll make a print for you, if you want it.
Perhaps you'll admit, when you see the setting, that the old room isn't
such an inartistic choice for a photographer."
Public-domain text, read in full here on John Shaqi.
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