"Her frocks don't fray at the edges--or when they do she turns them such
gorgeous colours that we don't notice they are getting worn."
"Aren't there some rough edges on this bench? Please take this end; I
think I recall that it is smoother than the other."
"Thank you. One good tear, and even Granny's needle couldn't make me
whole again."
He bent over to pick up a scarf of silver gauze which had slipped from
her shoulders. He laid it about them, and as he did so she shivered
suddenly, though the air was warm, without a hint of dampness. But she
covered the involuntary movement with a shrug, saying lightly, "A man I
know says he thoroughly believes a woman is colder rather than warmer in
a scarf like this, on the theory that anything with so many holes in it
must create an infinite number of small draughts."
"He may be right. But I confess, as a physician, I like to cover up
exposed surfaces from the open night air--to a certain extent--even with
an excuse for a protection like this."
He sat down beside her. The bench was not a long one, and he was nearer
to her than he had yet been to-night. She sat quietly, one hand lying
motionless in her lap. The other hand, down at her side, laid hold of the
edge of the bench and gripped it rather tightly. She began to talk about
the old garden, as it lay before them, its straggling paths and beds of
flowers mere patches of shadow, dark and light. He answered, now and
then, in an absent sort of way, as if his mind were upon something else,
and he only partly heard. She spoke of "Sunny Farm"--the children's
hospital in the country--of Burns and Ellen and Bob--and then, suddenly,
with a sense of the uselessness of trying all by herself to make small
talk under conditions of growing constraint, she fell silent. He let the
silence endure for a little space, then broke it bluntly.
"I'm glad," he said, in the deep, quiet voice she remembered well, "that
you will give me a chance. What is the use of pretending that I have
brought you here to talk of other people? I have something to say to you,
and you know it. I can't lead up to it by any art, for it has become
merely a fact which it is your right to know. You should have known it
long ago."
He stopped for a minute. She was absolutely still beside him, except for
the hand that gripped the edge of the bench. That took a fresh hold.
When he spoke again, his voice, though still quiet, showed tension.
Public-domain text, read in full here on John Shaqi.
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