Actresses -- Great Britain -- Biography; Siddons, Sarah, 1755-1831
It is a characteristic trait, that by the Kemble family John should have
been considered a finer player than Sarah. We know that he continually
gave her directions and instructions, which she accepted with all
humility, and followed, until she had made herself _sure_ of her ground.
No one, however gifted, could then shake her conscientious adherence to
her own views.
The subtle difference that lies between genius and talent separated
the two. Kemble repeated beautiful words suitably; Mrs. Siddons was
magnificent before she spoke, thrilling her audience with a silence more
significant than all else in the development of human emotion. We can see
how grand she was, independently of her author, by the miserable plays
she made famous; when her genius was no longer present to breathe life
and passion into them they passed into oblivion.
The number of indifferent plays she was entreated to appear in were
legion. All her friends seemed to think they could write plays, and that
she was the one and only person who could appear in them. We find her
piteously writing to a friend who had sent her a tragedy:—
“It is impossible for you to conceive how hard it is to say that
_Astarte_ will not do as you and I would have it do. Thank God, it is
over! It has been so bitter a sentence for me to pronounce, that it has
wrung drops of sorrow from the very bottom of my heart. Let me entreat,
if you have any idea that I am too tenacious of your honour, that you
will suffer me to ask the opinion of others, which may be done without
naming the author. I must, however, premise that what is charming in the
closet often ceases to be so when it comes into consideration for the
stage.”
Conceited Fanny Burney must needs write a tragedy, _Edwin and Elgitha_.
Her stumbling-block was “Bishops.” At that time there was a popular drink
called “Bishop,” composed of certain intoxicating ingredients. When,
therefore, in one of the earlier scenes the King gave the order “Bring in
the Bishop,” the audience went into roars of laughter. The dying scene
seemed to have no effect in damping their mirth. A passing stranger, in
a tragic tone, proposed to carry the expiring heroine to the other side
of a hedge. This hedge, though remote from any dwelling, proved to be a
commodious retreat, for, in a few minutes afterwards, the wounded lady
was brought from behind it on an elegant couch, and, after dying in the
presence of her husband, was removed once more to the back of the hedge.
The effect proved too ridiculous for the audience, and Mrs. Siddons was
carried off amidst renewed roars of laughter.
Public-domain text, read in full here on John Shaqi.
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