Actresses -- Great Britain -- Biography; Siddons, Sarah, 1755-1831
The great actress performed sixty times that season. At its conclusion
she went on a visit to Mrs. Damer at Strawberry Hill, where she met
Louis Philippe, afterwards King of France, and the Prince Regent. The
two ladies, whenever they were together, indulged their passion for
sculpture. As winter approached she suffered much from rheumatism, and,
for the sake of country air, removed from Great Marlborough Street to a
cottage at Hampstead for a few weeks. Mr. Siddons, who was also a martyr
to rheumatism, had advocated the change, and the old gentleman was much
delighted with his new abode. He ate his dinner, and, looking out at
the beautiful view that stretched before the windows, observed, “Sally,
this will cure all our ailments.” In spite of his hopes, however, Mrs.
Siddons was confined to bed for weeks with acute rheumatism. She tried
electricity with some beneficial effect, but suffered anguish while
undergoing the treatment.
As the winter advanced they returned to town; but Mr. Siddons grew so
much worse that he resolved to try the waters of Bath. Mrs. Siddons
parted, therefore, with her house in Marlborough Street, and took
lodgings for herself and Miss Wilkinson in Princes Street, Hanover
Square. Her landlord there was an upholsterer of the name of Nixon. He
and his wife always talked afterwards with the deepest affection of Mrs.
Siddons. One day, looking at Nixon’s card, she found that he was also an
undertaker, and said laughingly, “I engage your services to bury me, Mr.
Nixon.” Twenty-seven years afterwards Nixon did so.
During the winter and spring of 1804 and 1805 Mrs. Siddons only performed
twice at Covent Garden, partly in consequence of delicate health, partly
in consequence of the appearance of Master Betty, the “young Roscius,”
a prodigy whom the public ran after with an enthusiasm that seems
inexplicable. Managers gave him sums that a Garrick or a Siddons were
unable to obtain; his bust was done by the best sculptors; his portrait
painted by the best artists, and verses written in a style of idolatrous
adulation were poured upon this boy of thirteen. Actors and actresses
were obliged to appear on the stage with him to avoid giving offence.
Mrs. Siddons and Kemble, with praiseworthy dignity, retired while the
infatuation lasted. She went to see him, however, and gave him what
praise she thought his due. Lord Abercorn came into her box, declaring it
was the finest acting he had ever seen. “My lord,” she answered, “he is a
very clever, pretty boy, but nothing more.”
Public-domain text, read in full here on John Shaqi.
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