Actresses -- Great Britain -- Biography; Siddons, Sarah, 1755-1831
curious insight into the wretched bickerings and heart-burnings of the
profession:—
“The manager of the theatre also very soon began to adopt every means of
vexation for me that he could possibly devise, merely because I chose
to suggest at rehearsal that his proper situation, as Falconbridge in
_King John_, was at the right hand of the King. During the scene between
Constance and Austria, he thought it necessary that he should, though
he did it most ungraciously, adopt this arrangement; but his malevolence
pursued me unremittedly from that moment. He absurdly fancied that he was
of less consequence when placed at so great a distance from the front
of the stage, at the ends of which the kings were seated; but he had
little or nothing to say, and his being in the front would have greatly
interrupted and diminished the effect of Constance’s best scene. He made
me suffer, however, sufficiently for my personality by employing all the
newspapers to abuse and annoy me the whole time I remained in Dublin, and
to pursue me to England with malignant scandal; but of that anon. The
theatre, meantime, was attended to his heart’s content—indeed, the whole
of this engagement was as profitable as my most sanguine hopes could have
anticipated.”
Presently, however, she was to be put on her trial for a more serious
charge. The unfortunate actor, Digges, while rehearsing with her, was
struck down with paralysis. Lee Lewes, who endeavours to defend her in
all this business, tells us that her engagement was then drawing to a
close, and she was announced to play at Cork a few days after. Asked
to perform in a benefit for the poor man, she replied that she was
sorry she had but one night to spare, and had already promised to play
for the Marshalsea pensioners. Thinking better of this determination,
however, later, she despatched “a messenger” to Digges, saying she
had reconsidered the matter, and would be glad to perform for him.
Digges expressed his gratitude, and the night and play were fixed; but,
according to her own evidence, everything was done to annoy her and
prevent the carrying out of her charitable intentions. This is her
account of the business:—
Public-domain text, read in full here on John Shaqi.
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