Actresses -- Great Britain -- Biography; Siddons, Sarah, 1755-1831
“Oh, but I will. If my influence can do you any mischief you
may depend upon having it.”
She then repeated what she had said to my father, and he
instantly said:
“Your ladyship may be sure of my interest.”
I whispered afterwards to know who she was, and heard she was
Lady Lucan.[1]
It is amusing to see how conceited Fanny Burney always must turn every
incident to herself. When she did work for Mrs. Siddons, the play was
received with roars of laughter, and acted but one night.
We find a clue in the above description to Mrs. Siddons’s unpopularity.
Little Burney, with the frizzled head, and Mrs. Thrale, who “skipped
about like a young kid, all vivacity and sprightliness,” could not
understand the “steadiness in her manner,” and her dignified way of
checking intrusive admirers. No one appreciated admiration and love from
her intimate friends more than Mrs. Siddons, but to the adoration of
general society she was icy cold.
Sir Joshua Reynolds frequently went to see her act, and she was a welcome
guest at the house in Leicester Fields.
“He approved,” she writes, “very much of my costumes, and of my hair
without powder, which at that time was used in great profusion, with
a reddish brown tint, and a great quantity of pomatum, which, well
kneaded together, modelled the fair ladies’ tresses into large curls like
demi-cannon. My locks were generally braided into a small compass, so as
to ascertain the size and shape of my head, which to a painter’s eye was,
of course, an agreeable departure from the mode. My short waist, too, was
to him a pleasing contrast to the long stiff stays and hoop petticoats
which were then the fashion, even on the stage, and it obtained his
unqualified approbation. He always sat in the orchestra; and in that
place were to be seen—O glorious constellation!—Burke, Gibbon, Sheridan,
and Windham.”
It was at Reynolds’s she first met Edmund Burke. The story goes that
she was reading Milton for the benefit of the company, when she heard
the great orator’s deep melodious tones repeat, as she closed the book,
the lines beginning with “The angel ceased.” That wonderful face, full
of fiery power, was to be seen amongst those surrounding her. He was
afterwards frequently present while she sat to Reynolds for her portrait.
She ever counted mercurial Sheridan as a friend, in spite of the way in
which he treated her. She loved his beautiful, gentle wife, and some of
her happiest hours were spent in their society. She there put off all her
stateliness, and became the joyous-hearted young girl of the old Bath
days.
Public-domain text, read in full here on John Shaqi.
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