Actresses -- Great Britain -- Biography; Siddons, Sarah, 1755-1831
Among these artists, poets, statesmen, who were continually present at
her representations and attended afterwards at her dressing-room door to
pay their respects, in later years Byron might frequently be seen. He
declared her to be the “_beau ideal_ of acting,” and said, “Miss O’Neill
I would not see for fear of weakening the impression made by the queen of
tragedians. When I read Lady Macbeth’s part I have Mrs. Siddons before
me, and imagination even supplies her voice, whose tones were superhuman
and power over the heart supernatural.” On another occasion, he is
reported to have said that of actors Cook was the most natural, Kemble
the most supernatural, and Kean the medium between the two, but that Mrs.
Siddons was worth them all put together.
The first year she acted, “the gentlemen of the bar adorned her brows
with laurel,” as she says herself. The “laurel” took the substantial
form of a hundred guineas and a wreath presented by two barristers. She
declared it to be the most shining circumstance of her life, and alluded
modestly to her “poor abilities” and insufficient claims. The gentlemen
of Brookes’s Club also made up a handsome present.
“Mrs. Siddons continues to be the mode,” Horace Walpole writes, “and to
be modest and sensible. She declines great dinners, and says the business
and cares of her family take her whole time. When Lord Carlisle carried
her the tribute money from Brookes’s, he said she was not _maniérée_
enough. ‘I suppose she was grateful?’ said my niece, Lady Maria.”
It is easy to imagine the difficulty she experienced in keeping her
fame untarnished amidst that hotbed of vice, Covent Garden, and amidst
all the adulation lavished on her. It is impossible, indeed, to say how
many enemies she made by rejecting inopportune advances, and by exciting
jealousies and envy; but the worst they could ever allege was that she
was hard and haughty. She was continually on her guard. “One would as
soon think of making love to the Archbishop of Canterbury” was said
of her later; but in the early days of her first appearance at Drury
Lane she was obliged often to have recourse to an outspoken rebuff to
aspirants to her favour.
Public-domain text, read in full here on John Shaqi.
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