Mrs. Skagg's Husbands and Other StoriesHarte, Bret
General
Mrs. Skagg's Husbands and Other Stories
Harte, Bret
American fiction -- 19th century; Short stories; Western stories
Thus preoccupied, he was startled by the sudden irruption of a small
roll of manuscript, which was thrown through the open door and fell at
his feet. He walked quickly to the threshold and looked down the tangled
trail which led to the high-road. But there was nothing to suggest the
presence of his mysterious contributor. A hare limped slowly away, a
green-and-gold lizard paused upon a pine stump, the woodpeckers ceased
their work. So complete had been his sylvan seclusion, that he found
it difficult to connect any human agency with the act; rather the hare
seemed to have an inexpressibly guilty look, the woodpeckers to maintain
a significant silence, and the lizard to be conscience-stricken into
stone.
An examination of the manuscript, however, corrected this injustice to
defenceless nature. It was evidently of human origin,--being verse,
and of exceeding bad quality. The editor laid it aside. As he did so he
thought he saw a face at the window. Sallying out in some indignation,
he penetrated the surrounding thicket in every direction, but his search
was as fruitless as before. The poet, if it were he, was gone.
A few days after this the editorial seclusion was invaded by voices of
alternate expostulation and entreaty. Stepping to the door, the editor
was amazed at beholding Mr. Morgan McCorkle, a well-known citizen of
Angelo, and a subscriber to the “Record,” in the act of urging, partly
by force and partly by argument, an awkward young man toward the
building. When he had finally effected his object, and, as it were,
safely landed his prize in a chair, Mr. McCorkle took off his hat,
carefully wiped the narrow isthmus of forehead which divided his black
brows from his stubby hair, and with an explanatory wave of his hand
toward his reluctant companion, said, “A borned poet, and the cussedest
fool you ever seed!”
Accepting the editor's smile as a recognition of the introduction, Mr.
McCorkle panted and went on: “Didn't want to come! 'Mister Editor don't
went to see me, Morg,' sez he. 'Milt,' sez I, 'he do; a borned poet like
you and a gifted genius like he oughter come together sociable!' And I
fetched him. Ah, will yer?” The born poet had, after exhibiting signs
of great distress, started to run. But Mr. McCorkle was down upon him
instantly, seizing him by his long linen coat, and settled him back in
his chair. “Tain't no use stampeding. Yer ye are and yer ye stays. For
yer a borned poet,--ef ye are as shy as a jackass rabbit. Look at 'im
now!”
He certainly was not an attractive picture. There was hardly a notable
feature in his weak face, except his eyes, which were moist and shy and
not unlike the animal to which Mr. McCorkle had compared him. It was the
face that the editor had seen at the window.
Public-domain text, read in full here on John Shaqi.
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