Chinatowns -- Pacific States -- Fiction; Chinese Americans -- Fiction; Short stories
“What is the matter?” echoed Mag-gee, who was a half-white girl. “The
matter is that I wish that I were dead! I am to be married tonight to a
Chinaman whom I have never seen, and whom I can’t bear. It isn’t natural
that I should. I always took to other men, and never could put up with a
Chinaman. I was born in America, and I’m not Chinese in looks nor in any
other way. See! My eyes are blue, and there is gold in my hair; and I
love potatoes and beef, and every time I eat rice it makes me sick, and
so does chopped up food. He came down about a week ago and made
arrangements with father, and now everything is fixed and I’m going away
forever to live in China. I shall be a Chinese woman next year—I
commenced to be one today, when father made me put the paint and powder
on my face, and dress in Chinese clothes. Oh! I never want anyone to
feel as I do. To think of having to marry a Chinaman! How I hate the
Chinese! And the worst of it is, loving somebody else all the while.”
The girl burst into passionate sobs. The actress, who was evidently
accustomed to hearing her compatriots reviled by the white and
half-white denizens of Chinatown, laughed—a light, rippling laugh. Her
eyes glinted mischievously.
“Since you do not like the Chinese men,” said she, “why do you give
yourself to one? And if you care so much for somebody else, why do you
not fly to that somebody?”
Bold words for a Chinese woman to utter! But Ah Oi was not as other
Chinese women, who all their lives have been sheltered by a husband or
father’s care.
The half-white girl stared at her companion.
“What do you mean?” she asked.
“This,” said Ah Oi. The fair head and dark head drew near together; and
two women passing the door heard whispers and suppressed laughter.
“Ah Oi is up to some trick,” said one.
II
“The Sing Song Woman! The Sing Song Woman!” It was a wild cry of anger
and surprise.
The ceremony of unveiling the bride had just been performed, and Hwuy
Yen, the father of Mag-gee, and his friends, were in a state of great
excitement, for the unveiled, brilliantly clothed little figure standing
in the middle of the room was not the bride who was to have been; but Ah
Oi, the actress, the Sing Song Woman.
Every voice but one was raised. The bridegroom, a tall, handsome man,
did not understand what had happened, and could find no words to express
his surprise at the uproar. But he was so newly wedded that it was not
until Hwuy Yen advanced to the bride and shook his hand threateningly in
her face, that he felt himself a husband, and interfered by placing
himself before the girl.
“What is all this?” he inquired. “What has my wife done to merit such
abuse?”
“Your wife!” scornfully ejaculated Hwuy Yen. “She is no wife of yours.
You were to have married my daughter, Mag-gee. This is not my daughter;
this is an impostor, an actress, a Sing Song Woman. Where is my
daughter?”
Public-domain text, read in full here on John Shaqi.
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