Mrs. Warren's Daughter: A Story of the Woman's MovementJohnston, Harry
General
Mrs. Warren's Daughter: A Story of the Woman's Movement
Johnston, Harry
Feminism -- Fiction; Mothers and daughters -- Fiction; Women's rights -- Fiction
Rossiter was working in the Prosectorium at the Zoo when the
daylight air-raid began. It seemed to be coming across the middle of
London; so, hastily doffing his overall, he left the Gardens and
walked rapidly towards Portland Place. He had hardly got past the
fountain presented by Sir Jamsetjee Jeejeebhoy in wasted
benevolence, than he heard the deafening report of the bomb which
had wrecked his studio, reduced it to a tangle of iron girders and
stanchions, strewn its floor with brick rubble and thick dust, and
left his wife a human wreck, lying unconscious with a broken spine,
surrounded by splinters of glass, broken jars, porcelain trays, and
nasty-looking fragments of sponge and vertebrate anatomy. With an
almost paralyzing premonition of disaster he ran as quickly as
possible towards Park Crescent. The Marylebone Road was strewn with
glass, and a policeman--every one else had taken shelter--was
ringing and knocking at his front door to ascertain the damage and
possible loss of life. Michael let both of them in with his
latch-key. In the hall the butler was lying prone, stunned by a
small statue which had been flung at him by the capricious violence
of the explosion. All the mirrors were shivered and most of the
pictures were down. At the entrance to the library cook was
standing, all of a tremble. The two little Adamses rushed up to him:
"Oh Sir Michael! Mummie is dead and Gran'ma is awfully hurted."
But Mummie--Mrs. Adams--was not dead; neither was the expensive
parlour-maid. Both had fainted or been stunned by the explosion on
their way to help their mistress. Both lay inanimate on the library
floor. The library glass door was shivered to dangerous jagged
splinters, but the iron framework--"Curse it"--remained a tangled,
maddening obstacle to his further progress. He could see through the
splinters of thick glass something that looked like Linda, lying on
her back--and--something that looked like blood. The policeman who
followed him was strong and adroit. Together they detached the glass
splinters and wrenched open the framework, with space enough, at any
rate, to pass through without the rending of clothes into the
studio.
Linda Rossiter was regaining consciousness for just a few more
minutes of sentient life. She was aware there had been a dreadful
accident to some one; perhaps to herself. But she fully believed she
had first of all saved the precious jars. No doubt they had put her
to bed, and as there was something warm (her blood, poor thing)
round her body, they must have packed her with hot water bottles.
Some idea of Michael's no doubt. How _kind_ he was!
She would soon get right, with him to look after her. She opened
her eyes to meet his, as he bent over her, and said with the ghost
of an arch smile: "I--have been--of some use--to you, haven't--I?
... (then the voice faltered and trailed away) ... I ...
saved--your--specimens--"
CHAPTER XIX
BERTIE ADAMS
Public-domain text, read in full here on John Shaqi.
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