Mrs. Whittelsey's Magazine for Mothers and Daughters, Volume 3Various
Religion
Mrs. Whittelsey's Magazine for Mothers and Daughters, Volume 3
Various
Christian life -- Periodicals
The most interesting point of view in which music is to be regarded is
that which relates to the worship of God. This gives it an importance
which is unspeakable. There is no precept which requires us to employ
oratory, or painting, or sculpture in the worship of the Most High. Nor
is there any direct precept for the consecrated use of poetry; for
"psalms and hymns and spiritual songs," may be written in elevated
prose. But the Bible is filled with directions for the employment of
music in the sacred service. Both the Old Testament and the New require
us to sing with devout affections, to the praise and glory of God. The
command, too, seems to be general, like those in relation to prayer. If
all are to pray, so "in everything" are all to "give thanks." If we are
to "pray without ceasing," so we are told, "let every thing that hath
breath praise the Lord." Again, "is _any_ man afflicted, let him pray:
is he merry (joyful), let him _sing_ psalms." The direction is not, "if
any man is joyful, let him attend a concert or listen to exercises in
praise," but "let him _sing_." There is something to be done in his own
proper person.
Our necessities compel us to pray. A mere permission to do so, might
seem to suffice. For we must pray earnestly and perseveringly, or perish
forever. But will it do meanwhile to be sparing in our thanks? True, one
may say, I am under infinite obligations to give thanks, and I generally
endeavor to do so when engaged in the exercise of prayer. But, remember
there is another divinely constituted exercise called praise. Why not
engage in this also, and mingle petitions with your praises? This is the
scriptural method of expressing gratitude and adoration, and for
ourselves, we see not how individuals are to be excused in neglecting
it. Every one, it is true, would not succeed as an artist, if he had
never so many advantages. But every one who has the ordinary powers of
speech, might be so far instructed in song, as to mingle his voice with
others in the solemn assembly, or at least to use it in private to his
own edification. This position has been established in these later times
beyond the possibility of a rational doubt. Proofs of it have been as
clear as demonstration. These, perhaps, may be exhibited in another
number.
Public-domain text, read in full here on John Shaqi.
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