"Oh, it's George Washington!--Lord Kiscadden, I should say. I see by the
programme that your part is finished. It was so frightfully warm inside
that I slipped out to get a breath of air. May I introduce myself? I am
Mrs. Booth-Higby, of Red Towers. I trust that you will drop in often
while you are in the neighbourhood. I have so wanted to have a chance to
talk to you because you come from Ireland--dear old Ireland! I am Irish
myself on the side that isn't Colonial, and I have a warm spot in my
heart for everything green."
Peter manfully bit back the only observation that occurred to him while
the lady rattled on:
"My Irish connection is three generations back--a younger son, you know,
who came to make his way in a new land, and, having married into one of
the old Colonial families, settled for good. But once Irish, always
Irish, I say. My heart warms to the little ragamuffins in the street if
they have a bit of the brogue. It's the call of the blood, I suppose.
Shall we sit here? Or perhaps you have an engagement--don't let me keep
you----"
He summoned what breath was left and confusedly murmured: "Oh, I say!
Ripping!"
They settled themselves on a rustic bench, and Peter, possessing himself
of her fan, slowly waved it to and fro in the nonchalant manner of Mr.
Harry. Mrs. Booth-Higby, fortunately, was no less garrulous than Miles
Standish had been, and she rattled on gaily, barely pausing for her
companion's English interpolations.
Peter's feelings were divided. He had the amused consciousness that he
was being flirted with by the lady who, three days before, had so
condescendingly given him ten cents. And he also had a chilly
apprehension of the storm that would rise if by any mischance she
discovered the hoax. But his fighting blood was up, and he was excited
by past success. He abandoned his interjections and, venturing out for
himself, recounted an anecdote of a fellow countryman in an excellent
imitation of Irish brogue. The effort was received with flattering
applause. After all, he reassured himself, this was not his funeral,
Miss Ethel and Mr. Harry must bear all blame; with which care-free
shifting of responsibility he settled himself to extract what amusement
there might be in the situation.
The curtain finally fell on the last act of the play, and a shuffling of
feet and moving of chairs betokened that a general exodus would follow.
Peter came back with a start to a realization of his predicament. While
confidence in his powers of simulation had been rising steadily during
the past half-hour, he still doubted his ability to deal with the
audience _en masse_.
But fortunately, the first two to appear in the conservatory were Miss
Ethel and Mr. Harry, engaged entirely with their own affairs, all
thought of the pseudo Kiscadden put from their minds. As they became
aware of the couple in the fernery, they stopped short with a gasp of
surprise.
Public-domain text, read in full here on John Shaqi.
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