Much Ado About SomethingLawrence, C. E. (Charles Edward)
Science
Much Ado About Something
Lawrence, C. E. (Charles Edward)
England -- Social life and customs -- 20th century -- Fiction; Fairies -- Fiction
Every pillar-box within an area of fifty square miles now had its fairy.
Gnomes, overcrowding, had to get lodgment where they could. The
favourite habitation of these democratic gentry was a discarded silk
hat, of which there were many--for men had come to realize the ugliness
and discomfort of the chimney monster, and had flung it out of fashion.
Better ventilated, and with the nap rubbed the wrong way, they had
become agreeable gnome-dwellings. There were long rows of them in
Victoria Park, and they were generously dotted about Lincoln’s Inn
Fields and the Embankment Gardens.
The happiest chapter in the progress of June now began. It was nothing
other than the open faith of man in the reality and truth of the
fairies. Some of them, old people first, the youthful later, the
children last, saw them; saw fairies flying along happy streets or
proudly enthroned on the pillar-boxes, ruling with beneficence; saw
gnomes dangling and balancing on the iron arms of lamp-posts, seated in
rows on walls, sprawling among flower-pots on window-sills.
The discovery of this new vision had colossal results. It set the whole
world writing paragraphs. The newspapers, avid for facts, boomed the
revelation for all it was worth. German metaphysicians put on
gold-rimmed spectacles and laboriously laid the foundations of
voluminous tomes dedicated to the scientific analysis and philosophy of
the new great influence which had come to advance mankind. It was the X
rays and radium--advanced a long stage further.
Humanity generally woke up with a start to the better condition of
things, and set itself even more vigorously than before to the remedying
of wrongs and the removal of whatever rottenness had managed to survive.
Life became as an anthem with a jolly chorus. Croakers, and the
pessimists whose idea of duty is to hinder and delay, were pleasantly
pushed out of place, so that optimists, with vision and the will to do,
might get to work.
Those months of spring--until the almond was in blossom, and the daisies
began to bud--knew more eager preparation and the devising of true
artistic plans for the betterment and adornment of London, its suburbs,
and the other like places of England, than ever before.
What of poet and artist, lives somehow and somewhere, in every
individual, became, in the sunshine of ideas then warm in the world,
strong enough to emerge from its chrysalis state? Facts were examined
in the light of informed ideas. Men went about with dreams in their
eyes, and worked with practical hands.
The smoke fiend was promptly abolished--the means for doing this had
long been waiting to be used; and at once London became brighter. A
bottle of November fog was treasured in the British Museum. The blue
skies, no longer veiled through the incense of black King Coal, shone so
brightly on streets and buildings, lighting them up, that the lurking
filth and dinginess despoiling worthy edifices became more than ever
eyesores and an annoyance.
Public-domain text, read in full here on John Shaqi.
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