Much Ado About SomethingLawrence, C. E. (Charles Edward)
Science
Much Ado About Something
Lawrence, C. E. (Charles Edward)
England -- Social life and customs -- 20th century -- Fiction; Fairies -- Fiction
"But surely, Mr. Archdeacon," the Duke intervened, for no other reason
than to give his guest opportunity to continue his meal. "Surely you
would not in any way put together the results of scientific inquiry, the
fruits of the research of physicists, with--bogies and other dreams?"
A murmur of agreement ran round the table. A ducal host is certain of
support in any argument he undertakes.
"I don’t see why not, Duke. They are obviously different in kind as you
broadly state them; but I believe they are really linked closer than we
yet know. The fact is that every certainty is merely a drop in an ocean
of uncertainty, an ocean of unplumbable depths. Science is always on
the edge of new discoveries, which can only be bridged at first by the
imagination. Without imagination Newton would have seen nothing more
than an apple falling, when that simple fact--as common as
raindrops--brought to him revelation of the all-compelling law of
gravitation. Without imagination Watt could not have built his ’Rocket’
out of a kettle and a puff of steam. Imagination is a necessity in all
departments"--Le Dare sighed audibly--"except perhaps in some modern
books."
"A kettle! a kettle!" said the Duchess to herself--_sotto voce_--yet
very well heard. "What may a kettle be?"
A judge who sat next to her hastened to instruct her, while the ensuing
course was served.
"Even the law of gravitation," the Archdeacon continued, after a period
of general conversation, of mixed comments and further challenges,
"cannot be absolutely proved, though we all accept it. Nor can the
dogma that three times seven are twenty-one be proved, or the assertion
that a line is length without breadth, or--to come to a different kind
of example--the statements of historians that William of Normandy lived,
conquered and died. Nothing can be proved to some people. It is a
matter of faith. Why do we believe that William fought with Harold at
Senlac? Because we are told so, and our imagination appreciates the
details of the narrative. We accept the Saxon Chronicle as essentially
a true story, and Matilda’s Bayeux tapestry as representing real people
and actual scenes. But they wouldn’t convince a determined sceptic, or
a school-boy faced with the authority of the text-books, if he were
sufficiently original, obstinate, incredulous, and without the
imaginative gift. They may be regarded by some people as fraudulent
tales, or forged representations of the truth, and to any extent as
partial and prejudiced stories--(No more wine, thank you)--and who could
convince them otherwise? So all these accepted assertions--scientific,
historical, personal--may be refused by one who has no imagination.
Just in the same way the existence of the fairies may be believed in or
disbelieved. I admit it is beyond my capacity for demonstration to
prove that they exist. I have never seen a fairy. If you asked me
whether it was the size of a needle, a horse, or a haystack, I could not
Public-domain text, read in full here on John Shaqi.
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