"You see the actual warriors didn't get much of a look in. By the time
they got to know anybody they had to go back round the corner again and
they got tired of propping up the walls and looking on. Besides what
made it even more dangerous for them was that kind-hearted women took
compassion on them, and their own empty programmes and introduced
themselves. And in the vernacular they were the snags. But all these
things were hidden from the man of great wealth. . . ."
"Contrary to a life-long habit," said Vane, "he remained after dinner and
haunted the door. Just every now and then a girl in grey gauzy stuff
floated past him--and once, only once, he found himself looking into
those big grey eyes when she passed quite close to him going out to get
some lemonade. And the rusk did a somersault. . . ."
"But he didn't haunt the door," gurgled Joan. "He got roped in. He fell
an easy victim to the snag parade--and women fainted and men wept when
the man of great possessions and the pointed woman took the floor. . . ."
"Pointed?" murmured Vane.
"All jolts and bumps," explained the girl. "Her knees were like steel
castings. I think that if the--if the girl in grey gauzy stuff had
realised that the man of wealth had stopped behind for her, she might,
out of pity, have given him one dance. But instead all she did was to
shake with laughter as she saw him quivering in a corner held fast in the
clutch of the human steam engine. She heard the blows he was receiving;
they sounded like a hammer hitting wood; and then later she saw him
limping painfully from the room--probably in search of some Elliman's
embrocation. But, as I say, she didn't realise it. . . . She only
thought him a silly old man. . . ."
"Old," said Vane slowly. . . . "How old?"
"About fifty," said the girl vaguely. Then she looked at Vane. "She
found out later that he was forty-eight, to be exact."
"Not so very old after all," remarked Vane, pitching a used match into
the water, and stuffing down the tobacco in his pipe with unusual care.
"It was towards the end of the dance," she resumed, "that the man of
great wealth was introduced to the girl in grey, by the donor of the
feast. The band had gathered in all the coal-scuttles and pots it could,
and was hitting them hard with pokers when the historical meeting took
place. You see it was a Jazz band and they always economise by borrowing
their instruments in the houses they go to. . . ."
"And did she dance with him?" asked Vane.
"I don't think he even asked her to," said Joan. "But even as she went
off with a boy in the Flying Corps she realised that she was face to face
with a problem."
"Quick work," murmured Vane.
"Most of the big problems in life are quick," returned the girl. "You
see the man of great possessions was not accustomed to disguising his
feelings; and the girl--though she didn't show it--was never far removed
from the skeleton in her cupboard."
Public-domain text, read in full here on John Shaqi.
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