Michael Angelo, that celebrated restorer of the arts of painting,
sculpture, and architecture, expressed how infinitely he was charmed
with Munster Village[45].--'What is really beautiful, said he, does
not depend either upon fashion, or times; there may be _different
ways_ of expressing things in different ages; but there can only
_be one_ of conceiving them properly.' The temple, in which they
were, was adorned with the paintings of Raphael[46], copied by an
able artist. Lady Darnley, pointing to these, (and addressing him)
said 'There is proof how much we fall short, how faintly we copy
originals!'--Raphael replied, that her ladyship did him much honor;
the pieces she had selected, had met with the suffrage of the public;
but that, in his own acceptation, _the cartoons_ were the best of his
performances--which he apprehended a juster prevailing taste at present
condemned: Otherwise the father of his people, approved of by Minos--so
good so indulgent a prince to his subjects--would not lock them up
from public observations.--Lady Darnley was here quite at a loss; she
blushed, hesitated, unwilling either to refuse her sovereign _taste_ or
_philanthropy_!
Lawrence de Medicis perceiving her situation, in pity of her confusion,
retired with his company.
Charon again landed a groupe of figures; their dress declared them
English, of the reign of King Charles II--They proved to be the Duke
of Buckingham[47], Sir William Petty, Mr Dryden, Mr Locke, Mr Waller,
etc. The Duke addressed Lady Darnley with that polite address peculiar
to himself in his age, and which has since been sedulously studied, to
the prevention of qualities which it should only be the harbinger of--he
expatiated on her merit; that she had obliged the whole nation, as every
one individual might receive improvement or pleasure by her means.--Lady
Darnley returned him a most gracious answer, still intimating her
apprehensions, that the arts perhaps were not likely to thrive in this
soil, where our pursuits, opinions, and inclinations, vary with the
weather--that the declension of letters after the reign of Charles
II. but too fully justified her opinion.--The Duke answered her, that
indeed that was the common and received opinion, and that the reign she
mentioned was the Augustan age in England; but that he had the honor to
assure her, that a just taste was by no means then formed.--The progress
of philological learning, and the _Belles Lettres_ was obstructed by
the institution of the Royal Society, which turned the thoughts of men
of genius to physical inquiries.--To that body we were indebted for the
discoveries relating to light, the principle of gravitation, the motion
of the fixed stars, the geometry of transcidental qualities; but that
it was left to her ladyship to revive the agreeable arts, for which her
name must be handed down to posterity with honor.
The following dialogue ensued between Charon and a Beau.
Public-domain text, read in full here on John Shaqi.
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