Musa Pedestris - Three Centuries of Canting Songs and Slang Rhymes [1536 - 1896]Farmer, John Stephen
General
Musa Pedestris - Three Centuries of Canting Songs and Slang Rhymes [1536 - 1896]
Farmer, John Stephen
Cant -- Great Britain; English language -- Slang; Songs, English -- Texts
Stanza II, line 1. _Flooring_ = downing (a man). _Flushing_
= delivering a blow right on the mark, and straight from the shoulder.
Line 5. _Crossing_ = unfair fighting; shirking.
Stanza III, line 5. _Victualling-office_ = the stomach. Line 6.
_Smeller and ogles_ = nose and eyes. Line 7. _Bread-basket_
= stomach. Line 8. _In twig_ = in form; ready.
_Bobby And His Mary_
[See _ante_ for note on _Universal Songster_].
Stanza I, line 1. _Dyot Street_, see note page 222.
Stanza II, line 16. _St. Pulchre's bell_, the great bell of St.
Sepulchre's Holborn, close to Newgate, always begins to toll a little
before the hour of execution, under the bequest of Richard Dove, who
directed that an exhortation should be made to "... prisoners that are
within, Who for wickedness and sin are appointed to die, Give ear unto
this passing bell."
_Poor Luddy_
Thomas John Dibdin (1771-1841), the author of this song, was an actor
and dramatist--an illegitimate son of Charles Dibdin the elder. He
claimed to have written nearly 2000 songs.
_The Pickpocket's Chaunt_
Eugene François Vidocq was a native of Arras, where his father was a
baker. From early associations he fell into courses of excess which
led to his flying from the paternal roof. After various, rapid, and
unexampled events in the romance of real life, in which he was
everything by turns and nothing long, he was liberated from prison,
and became the principal and most active agent of police. He was made
chief of the Police de Sureté under Messrs. Delavau and Franchet, and
continued in that capacity from the year 1810 till 1827, during which
period he extirpated the most formidable gangs of ruffians to whom the
excesses of the revolution and subsequent events had given full scope
for daring robberies and iniquitous excesses. He settled down as a
paper manufacturer at St. Mandé near Paris.
Of Maginn (1793-1842) it may be said he was, without question, one of
the most versatile writers of his time. He is, perhaps, best
remembered in connection with the _Noctes Ambrosianæ_, which
first appeared in _Blackwood_, and with the idea of which Maginn
is generally credited. He was also largely concerned with the
inception of _Fraser's_. Maginn's English rendering of Vidocq's
famous song first appeared in _Blackwood_ for July 1829. For the
benefit of the curious the original is appended. It will be seen that
Maginn was very faithful to his copy.
En roulant de vergne en vergne [1]
Pour apprendre à goupiner, [2]
J'ai rencontré la mercandière, [3]
Lonfa malura dondaine,
Qui du pivois solisait, [4]
Lonfa malura dondé.
J'ai rencontré la mercandière
Qui du pivois solisait;
Je lui jaspine en bigorne; [5]
Lonfa malura dondaine,
Qu'as tu donc à morfiller? [6]
Lonfa malura dondé.
Je lui jaspine en bigorne;
Qu'as tu donc à morfiller?
J'ai du chenu pivois sans lance. [7]
Lonfa malura dondaine,
Et du larton savonné [8]
Lonfa malura dondé.
Public-domain text, read in full here on John Shaqi.
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