Museum of Antiquity: A Description of Ancient LifeYaggy, L. W. (Levi W.)
History
Museum of Antiquity: A Description of Ancient Life
Yaggy, L. W. (Levi W.)
Civilization, Ancient; Classical antiquities
obliged to follow the same trade as his father. Thus caste was formed.
Whether this same was carried out in Babylon, Persia, and Greece, we
do not know; but certainly, in these nations there were in all cases
officers directing the operations, and overseers, to whom these again
were responsible, so that every manufacturing art was carried on under
strict surveillance, and to the highest state of perfection. As the
possession of artistic work was an object of ambition amongst the
wealthy or favored portion of the community, it led to emulation among
the workers. Professor Rawlinson, in his "Five Ancient Monarchies,"
speaks of the Persians emulating with each other in the show they
could make of their riches and variety of artistic products. This
emulation led both to private and public exhibitions. One of those
exhibitions, which lasted over a period of six months, is referred to
in the Old Testament; so when we opened our Great Exhibition in 1876
we were only resuscitating a system common in ancient times, the event
recorded in the Book of Esther having happened at least 2,200 years
before:
"In those days, when the King Ahasuerus sat on the throne of
his kingdom, which was in Shushan the palace, in the third
year of his reign, he made a feast unto all his princes and
his servants; the power of Persia and Media, the nobles and
princes of the provinces, being before him: when he showed the
riches of his glorious kingdom, and the honor of his excellent
majesty, many days, even an hundred and fourscore days. And
when these days were expired, the king made a feast unto all
the people that were present in Shushan the palace, both unto
great and unto small, seven days, in the court of the garden
of the king's palace; where were white green and blue
hangings, fastened with cords of fine linen and purple to
silver rings and pillars of marble; the beds were of gold and
silver, upon a pavement of red, and blue, and white, and black
marble. And they gave them drink in vessels of gold (the
vessels being diverse one from another), and royal wine in
abundance, according to the state of the king."
This must have been a magnificent exhibition. The number attending
this feast is not ascertainable; but, if the princes and nobles of the
provinces (the provinces were 127 in number), and all the officers and
great men of Persia and Media, and the servants of the palace, great
and small, were there, it must have formed an immense company. Now, as
every one drank out of a golden cup of a different pattern, we obtain
an idea of profusion in art of which we can form but a very limited
conception. This fact indicates that variety of pattern was an object
sought after--a fashion fostering and favoring the development of art
and design, and worthy of being emulated in the present day.
Public-domain text, read in full here on John Shaqi.
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