Cities and towns -- Growth -- Fiction; Wales -- Social life and customs -- Fiction
It was then, in that very moment, that Howell Gruffydd's face was seen
to change. He stopped, listening. Beyond the hot cuplike hollow in which
they were assembled was another sunken way, and along this way somebody
was approaching. Probably in complete unconsciousness that any hearer
was at hand, this somebody was singing softly as he came. It was Tommy,
the youngest of the Kerrs, and he was singing to himself, in very bad
Welsh, _Glan Meddwdod Mwyn_.
Now this song is one of the less reputable songs of Wales. The English
drinking song usually contents itself with extolling the mere convivial
act, drawing a decent veil over the lamentable effects of that act; but
even in its title _Glan Meddwdod Mwyn_ (which words mean _Fair, Kind
Drunkenness_) has no such reticence. It depicts ... but you can see the
difference for yourself. No wonder it froze the words on Howell
Gruffydd's lips. In the singer's complete unconsciousness that he was
not alone lay the whole sting. The malice, the intent, the hateful
Lancashire humour of the Kerrs they had had before, but not _this_
home-thrust with a weapon they themselves had provided!
Tommy might just as well have climbed the hummock and told them that,
since their language provided equally for these eventualities, they were
no better than anyone else....
An English drunkard, to grub in the lees of their own language like
this!----
And little Hugh Morgan had sniggered!----
The unseen Tommy and his (their) song passed on towards the Hafod Unos.
Then Howell bestirred himself again. "There, now!" he said; "what had he
just been tell-ing them? Indeed, that was opp-por-tune, whatever!" ...
But, though he strove to hide it, there was a hollowness now in his
exhortation. He felt as if he had been building a wall against a
contagion that crept in upon the invisible air. If Thomas Kerr knew
_Glan Meddwdod Mwyn_ he might also know viler ditties still; if little
Hugh Morgan, whom he had thought pure, had sniggered at _Glan Meddwdod_
he might guffaw outright at the baser version of _Sospan Bach_....
It could only (Howell thought) be original sin....
It was at least a little balm to him to hear the fervour with which
Eesaac Oliver once more led the singing of _Joyful, Joyful_.
And, by the way (speaking of songs), Eesaac Oliver's choice of the
narrow and difficult path had already involved him in a persecution in
which song played a minor part. This persecution was at the hands of
John Willie Garden. For, in an unguarded moment, Eesaac Oliver had
confided to John Willie his plans for his career; and since then the
unfeeling John Willie, on his way to Railhead and debauchery, had held
over him the song that contains the lines:--
"_He wass go to Je-sus College
For to try to get some knowledge----
Wass you ever see," etc. etc._
John Willie, itching to get away from Pannal, could not understand why
anybody wanted to go to Jesus, Aberystwith, or any other College.
Public-domain text, read in full here on John Shaqi.
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