Music and Life: A study of the relations between ourselves and musicSurette, Thomas Whitney
History
Music and Life: A study of the relations between ourselves and music
Surette, Thomas Whitney
Music -- History and criticism
Social and musical clubs for women exist in great numbers all over
the United States. They are often useful in practical ways, but their
contact with artistic matters is, on the contrary, often ineffectual.
They offer their members continual sips at different springs, but no
deep draught at one. The average member of a women’s club, if she is to
be helped in anything, must be helped from the position in which she
then is; and this is particularly true of music. But she is torn out
of her natural environment and asked to listen to a recital of, say,
modern French music, not one note of which answers to her intelligence
or her feelings. The passion for the last thing in music without any
knowledge of the first is fatal to any one. And when one considers the
enormous membership in clubs for women in this country, one can but
wish that more effort were made to help the individual to progress
simply and naturally step by step. It is not to be expected that the
average woman, whose time is very likely occupied with domestic cares,
should make an extended study of music; but it is possible to give her
a chance to hear a few simple, good compositions, and to hear them
several times during a season, so that she may learn to understand
them. The more experienced and more advanced members of women’s clubs
are apt to dominate in these matters and to forget the needs of the
others, and there is certain to be a few rare souls who dwell entirely
in the rarefied atmosphere of the very latest music, and who look down
on the common ignorance of the mass. Some women’s clubs purvey only the
performance of great players or singers, and pride themselves on their
lists of celebrities, all too forgetful of those delicately adjusted
scales which demand equal weight _in kind_. If a women’s club in a
small town (or in a large one, for that matter) should abjure for the
moment pianoforte and vocal recitals of the latest music, and should
proceed to devote a little time to singing, in unison, some fine old
songs in which every one could take part, a fair start would be made.
I am not attempting to belittle the musical capabilities of these
clubs, nor am I decrying expert performances; I am merely speaking for
the average woman who has had little opportunity for musical education
or musical experience, and who is usually left far behind as club
programmes run, yet who is capable of understanding music if it be
brought to her in the proper manner. Ask her to sing with you and she
is brought into the fold instead of straying blindly outside. Every
meeting of a women’s club (why qualify?--of any club, save, perhaps, a
burglar’s, where silence would be desirable) should begin with a hearty
song. Step by step--not a violent leap to a dizzy height; we cannot
become musical by the force of our aspiration even though it be quite
sincere; nature unrelentingly exacts of us that same slow growth which
she herself makes. There is no to-morrow.
Public-domain text, read in full here on John Shaqi.
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