Music and Life: A study of the relations between ourselves and musicSurette, Thomas Whitney
History
Music and Life: A study of the relations between ourselves and music
Surette, Thomas Whitney
Music -- History and criticism
Reconciliation! A philosophy without a category; a religion without a
dogma; an indestructible shadow world which offers no explanations,
promulgates no opinions, and has no mission--which exists completely
in itself. What more shall we ask for? Why cry to the heavens for a
manifestation? Why take refuge in a so-called “system” of philosophy?
Why shuffle off the whole problem on a dogma? What comfort to a
squirrel in a cage to know the number of its bars? Is our slow
and inevitable progress from the unknown to the unknown any more
significant because we have learned to tell our beads, intellectual,
religious, or æsthetic, to mumble our little formulæ, and to pick our
way, eyes downward, amongst the stones and thorns, never once glancing
clear-eyed upward to the sun? We have always sought a fourth dimension,
and have always had it. We want what we have not; we wish to be what we
are not; and all the time they have been within our grasp. We make a
far away heaven to answer this universal cry, when our hand is on its
very doorlatch. Our imagination falters most when we apply it to things
nearest us. Where _can_ heaven be if not here? Is it an omnibus in
which you may secure a comfortable seat by paying your fare? Or is it
a state of yourself toward which you continually struggle and to which
you occasionally attain?
This, then, is my thesis. A symphony is not merely an arrangement of
rhythms, melodies, and harmonies; it is not a record of the thoughts,
feelings, and deeds of men; it is not a picture of man or of nature.
Rather does it launch itself from these into the unknown. It is pure
imagination freed from the actual.
Public-domain text, read in full here on John Shaqi.
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