Music and Some Highly Musical PeopleTrotter, James M.
History
Music and Some Highly Musical People
Trotter, James M.
African American musicians -- Biography; African Americans -- Music
It is to be hoped that he will not relinquish this ambitious and
creditable resolve; for certainly his gifted children have already
clearly shown such rare musical powers, and, incidentally, so much of
dramatic talent, and have had so much stage experience, as to fully
warrant him and all their friends in firmly believing that these
versatile young ladies may, after a short course of training under the
best masters of Europe, easily attain to the highest distinction on
the operatic stage.
XIII.
FREDERICK ELLIOT LEWIS,
PIANIST, ORGANIST, VIOLINIST, ETC.
Like the honey-making bee,
Passing from flower to flower,
Tasting and gathering the sweets of each.
In musical versatility, in capability for playing upon a great variety
of musical instruments, there may be possibly, among the large number
of talented artists of this country, a few who equal the subject of
the following sketch: the writer, however, confesses, that, if there
be such, he does not know of them. But, be this as it may, such an
instance as I am about to present is one, which, in its showing of
great musical talents and diversity of acquirements in instrumental
performance, will be readily admitted as, to say the least, most
extraordinary.
For Frederick E. Lewis performs with ease and with pleasing finish on
the piano-forte and the organ, on the violin, viola, violoncello,
double-bass, and the guitar, on the clarinet and flute, on the cornet,
and on nearly every one of the wind-instruments. Indeed, you can
scarcely bring to this remarkable musician an instrument upon
which in tasteful and artistic manner he cannot perform.
[Illustration: FREDERICK ELLIOT LEWIS.]
It is not my purpose, however, to present him here as a musical
"prodigy," nor as one of those rather abnormal, supernatural beings
who astound their hearers by playing upon an instrument almost at
sight, without previous study, or without observable method; playing,
as it would seem, from a kind of instinct. I present him rather as he
is,--an intelligent, a cultured gentleman; an artist so great in
natural gifts as to often excite astonishment certainly; but yet one
with intelligent method, and fully able to understand and explain all
he so skilfully performs.
His extraordinary success in acquiring a good degree of proficiency in
playing upon at least fifteen instruments--on two or three of which he
excels as a performer, and most of which, too, he teaches--is due not
alone to his great natural endowments, but is largely the result of an
assiduous cultivation of the same, and of a severe, steady, and
long-continued study and practice of each one of these instruments, in
which occupation he has ever aimed at the classical, and avoided all
that was coarse or commonplace, either in the compositions used, or in
his execution of the same.
Public-domain text, read in full here on John Shaqi.
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