Music and Some Highly Musical PeopleTrotter, James M.
History
Music and Some Highly Musical People
Trotter, James M.
African American musicians -- Biography; African Americans -- Music
I have thus given a somewhat general outline of the characteristics
and accomplishments of our subject. But what is his history in
particular? What have been the beginnings, the circumstances, that
have united to produce a character so pleasingly and so harmoniously
formed? These questions I shall now endeavor to briefly answer.
Frederick Elliot Lewis was born in Boston in the year 1846. His
parents, both natives of New England, were people of musical and
general culture; his father being a performer on the flute, violin,
violoncello, and piano, as well as a chorister; while his mother was a
pianist, a leading soprano-singer in choirs, a lady of fine musical
taste, appearing often in public, and taking always a leading part.
At the early age of six years, Frederick evinced a surprising fondness
for music; but it was not until he was eleven years old that he began
its real study. This he did under his mother's direction, taking
lessons on the piano-forte. At this time he found the study of music
difficult, and the acquirement of its scientific rudiments was to
him dry work. In one year, however, its charming beauties began to
open before his young mind; and after this he rapidly developed a
talent for music, felt the inspiration of the beautiful art, and
became ambitious to excel.
After studying for some time the piano, and becoming, for one of his
years, quite proficient as a performer, he began to take lessons on
the organ under the direction of Miss R.M. Washington, an accomplished
teacher of that instrument, of the piano-forte, and of harmony. The
organ for some time quite absorbed his attention. This grand and most
comprehensive of instruments, with its great scope and capacity for
the production of harmonic beauties, so delighted, indeed so charmed,
our young enthusiast,--for such he had now become,--as to leave him
with scarcely any inclination or time for other studies. He resolved
then to learn all that it was possible to know about the organ, not
only in awaking to life its tones of grandest harmony, but also, and
in order to better accomplish the same, to study its wonderful
mechanism.
Public-domain text, read in full here on John Shaqi.
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