Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
The singing of religious songs by the common people in their own language
in connection with public worship did not begin in Germany with the
Reformation. The German popular song is of ancient date, and the
religious lyric always had a prominent place in it. The Teutonic tribes
before their conversion to Christianity had a large store of hymns to
their deities, and afterward their musical fervor turned itself no less
ardently to the service of their new allegiance. Wackernagel, in the
second volume of his monumental collection of German hymns from the
earliest time to the beginning of the seventeenth century, includes
fourteen hundred and forty-eight religious lyrics in the German tongue
composed between the year 868 and 1518.[68] This collection, he says, is
as complete as possible, but we must suppose that a very large number
written before the invention of printing have been lost. About half the
hymns in this volume are of unknown authorship. Among the writers whose
names are given we find such notable poets as Walther von der Vogelweide,
Gottfried von Strassburg, Hartmann von Aue, Frauenlob, Reinmar der
Zweter, Kunrad der Marner, Heinrich von Loufenberg, Michel Behem, and
Hans Sachs, besides famous churchmen like Eckart and Tauler, who are not
otherwise known as poets. A great number of these poems are hymns only in
a qualified sense, having been written, not for public use, but for
private satisfaction; but many others are true hymns, and have often
resounded from the mouths of the people in social religious functions.
Down to the tenth century the only practice among the Germans that could
be called a popular church song was the ejaculation of the words _Kyrie
eleison, Christe eleison_. These phrases, which are among the most
ancient in the Mass and the litanies, and which came originally from the
Eastern Church, were sung or shouted by the German Christians on all
possible occasions. In processions, on pilgrimages, at burials, greeting
of distinguished visitors, consecration of a church or prelate, in many
subordinate liturgic offices, invocations of supernatural aid in times of
distress, on the march, going into battle,—in almost every social action
in which religious sanctions were involved the people were in duty bound
to utter this phrase, often several hundred times in succession. The
words were often abbreviated into _Kyrieles, Kyrie eleis, Kyrielle,
Kerleis_, and _Kles_, and sometimes became mere inarticulate cries.
Public-domain text, read in full here on John Shaqi.
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