Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
The liturgy of the Church of England is composed, like the Catholic
liturgy, of both constant and variable offices, the latter, however,
being in a small minority. It is notable for the large space given to
reading from Holy Scripture, the entire Psalter being read through every
month, the New Testament three times a year, and the Old Testament once a
year. It includes a large variety of prayers, special psalms to be sung,
certain psalm-like hymns called canticles, the hymns comprising the chief
constant choral members of the Latin Mass, _viz._, Kyrie, Gloria, Credo,
and Sanctus—the Te Deum, the ten commandments, a litany, besides short
sentences and responses known as versicles. In addition to the regular
morning and evening worship there are special series of offices for Holy
Communion and for particular occasions, such as ordinations,
confirmations, the burial service, etc.
Although there is but one ritual common to all the congregations of the
established Church, one form of prayer and praise which ascends from
cathedral, chapel, and parish church alike, this service differs in
respect to the manner of rendering. The Anglican Church retained the
conception of the Catholic that the service is a musical service, that
the prayers, as well as the psalms, canticles, and hymns, are properly to
be given not in the manner of ordinary speech, but in musical tone. It
was soon found, however, that a full musical service, designed for the
more conservative and wealthy establishments, was not practicable in
small country parishes, and so in process of time three modes of
performing the service were authorized, _viz._, the choral or cathedral
mode, the parochial, and the mixed.
The choral service is that used in the cathedrals, royal and college
chapels, and certain parish churches whose resources permit the adoption
of the same practice. In this mode everything except the lessons is
rendered in musical tone, from the monotoned prayers of the priest to the
figured chorus music of “service” and anthem. The essential parts of the
choral service, as classified by Dr. Jebb,[77] are as follows:
1. The chanting by the minister of the sentences, exhortations, prayers,
and collects throughout the liturgy in a monotone, slightly varied by
occasional modulations.
2. The alternate chant of the versicles and responses by minister and
choir.
3. The alternate chant, by the two divisions of the choir, of the daily
psalms and of such as occur in the various offices of the Church.
4. The singing of all the canticles and hymns, in the morning and evening
service, either to an alternated chant or to songs of a more intricate
style, resembling anthems in their construction, and which are
technically styled “services.”
5. The singing of the anthem after the third collect in both morning and
evening prayer.
6. The alternate chanting of the litany by the minister and choir.
7. The singing of the responses after the commandments in the Communion
service.
Public-domain text, read in full here on John Shaqi.
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