Opening the text

Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward

History

Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples

Name: Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Author: Dickinson, Edward

Dickinson, Edward

Church music

Sachs, 229.
  St. Cecilia Society, 180, 212.
  St. Gall, convent of, as a musical centre, 118.
  Saint-Säens, 217.
  Sanctus, 88.
  Savages, religious sentiment among, 2;
      methods of religious expression, 3.
  Schaff, quoted, 44.
  Scheidt, 292.
  Schleiermacher, 321.
  Schola Cantorum, 181, 288 n.
  Schop, 266.
  Schubert, masses of, 199, 200, 211.
  Schubiger, quoted, 119.
  Schütz, greatest German composer before Bach and Händel, 277;
      his education and musical methods, 277;
      Symphoniae sacrae, 278;
      dramatic religious works, 278;
      Passion settings, 278;
      his isolated musical position, 279.
  Sechter, 207.
  Seminaries, theological, and church music, 406.
  Senfl, 264.
  Sequence, 88;
      origin and early character, 121.
  “Service,” Anglican, 345.
  Shairp, quoted, 398.
  Shophar, 22.
  Sistrum, 23.
  Six Articles, 328.
  Smart, 355, 383.
  Spencer, Herbert, quoted, 5, 15.
  Speratus, 249.
  Spitta, quoted, 322.
  Stainer, 355;
      quoted, 342.
  Stanford, 355.
  Sternhold and Hopkins, psalm version of, 375, 377.
  _Stile famigliare_, 151, 158, 159.
  Sullivan, 355, 383.
  Swelinck, 292.
  Symbolism, in ancient music, 11, 14.
  Synagogue, worship in the ancient, 33;
      modified by the Christians, 41.
  Synesius, 57.


                                    T

  Tallis, 168, 345, 350.
  Tate and Brady, psalm version of, 376.
  Tauler, 229, 231, 238.
  Taylor, Bayard, quoted, 254.
  Te Deum, 58.
  Therapeutae, 48.
  Thirty Years’ War, 264, 265, 285.
  Thomas à Kempis, 224.
  Tones, Gregorian, 100.
  Tones, psalm, see Tones, Gregorian.
  Toph, 22.
  Tours, 355.
  Tractus, 88.


                                    U

  Ugab, 22.


                                    V

  Van Laun, quoted, 359.
  Vehe, 264.
  Venice, church music in, 168.
  Verdi, his Requiem, 199, 200, 213, 218.
  Vittoria, 133, 168.


                                    W

  Wackernagel’s collection of German pre-Reformation hymns, 228.
  Wagner, P., quoted, 104.
  Walther, Johann, 249, 259, 260, 264.
  Walther von der Vogelweide, 229.
  Watts, psalm version of, 376;
      hymns, 379, 380, 387.
  Wesley, Charles, 379, 381.
  Wesley, John, 379.
  Wesleyan movement, revival of hymn singing in the, 379.
  Whittier, 381.
  Wiclif, 327.
  Willaert, 133, 168, 169.
  Winterfeld, quoted, 170.
  Wiseman, quoted, 76.
  Witt, founder of St. Cecilia Society, 180.
  Wrangham, 376.




                               Footnotes


[1]Brinton, _The Religions of Ancient Peoples._

[2]Brown, _The Fine Arts_.

[3]Spencer, _Professional Institutions: Dancer and Musician_.

[4]Lang, _Myth, Ritual, and Religion_.

[5]A full account of ancient Assyrian music, so far as known, may be
   found in Engel’s _Music of the Most Ancient Nations_.

Public-domain text, read in full here on John Shaqi.

Opening the text

Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward

History

Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples

Dickinson, Edward

Church music

Sachs, 229.
  St. Cecilia Society, 180, 212.
  St. Gall, convent of, as a musical centre, 118.
  Saint-Säens, 217.
  Sanctus, 88.
  Savages, religious sentiment among, 2;
      methods of religious expression, 3.
  Schaff, quoted, 44.
  Scheidt, 292.
  Schleiermacher, 321.
  Schola Cantorum, 181, 288 n.
  Schop, 266.
  Schubert, masses of, 199, 200, 211.
  Schubiger, quoted, 119.
  Schütz, greatest German composer before Bach and Händel, 277;
      his education and musical methods, 277;
      Symphoniae sacrae, 278;
      dramatic religious works, 278;
      Passion settings, 278;
      his isolated musical position, 279.
  Sechter, 207.
  Seminaries, theological, and church music, 406.
  Senfl, 264.
  Sequence, 88;
      origin and early character, 121.
  “Service,” Anglican, 345.
  Shairp, quoted, 398.
  Shophar, 22.
  Sistrum, 23.
  Six Articles, 328.
  Smart, 355, 383.
  Spencer, Herbert, quoted, 5, 15.
  Speratus, 249.
  Spitta, quoted, 322.
  Stainer, 355;
      quoted, 342.
  Stanford, 355.
  Sternhold and Hopkins, psalm version of, 375, 377.
  _Stile famigliare_, 151, 158, 159.
  Sullivan, 355, 383.
  Swelinck, 292.
  Symbolism, in ancient music, 11, 14.
  Synagogue, worship in the ancient, 33;
      modified by the Christians, 41.
  Synesius, 57.


                                    T

  Tallis, 168, 345, 350.
  Tate and Brady, psalm version of, 376.
  Tauler, 229, 231, 238.
  Taylor, Bayard, quoted, 254.
  Te Deum, 58.
  Therapeutae, 48.
  Thirty Years’ War, 264, 265, 285.
  Thomas à Kempis, 224.
  Tones, Gregorian, 100.
  Tones, psalm, see Tones, Gregorian.
  Toph, 22.
  Tours, 355.
  Tractus, 88.


                                    U

  Ugab, 22.


                                    V

  Van Laun, quoted, 359.
  Vehe, 264.
  Venice, church music in, 168.
  Verdi, his Requiem, 199, 200, 213, 218.
  Vittoria, 133, 168.


                                    W

  Wackernagel’s collection of German pre-Reformation hymns, 228.
  Wagner, P., quoted, 104.
  Walther, Johann, 249, 259, 260, 264.
  Walther von der Vogelweide, 229.
  Watts, psalm version of, 376;
      hymns, 379, 380, 387.
  Wesley, Charles, 379, 381.
  Wesley, John, 379.
  Wesleyan movement, revival of hymn singing in the, 379.
  Whittier, 381.
  Wiclif, 327.
  Willaert, 133, 168, 169.
  Winterfeld, quoted, 170.
  Wiseman, quoted, 76.
  Witt, founder of St. Cecilia Society, 180.
  Wrangham, 376.




                               Footnotes


[1]Brinton, _The Religions of Ancient Peoples._

[2]Brown, _The Fine Arts_.

[3]Spencer, _Professional Institutions: Dancer and Musician_.

[4]Lang, _Myth, Ritual, and Religion_.

[5]A full account of ancient Assyrian music, so far as known, may be
   found in Engel’s _Music of the Most Ancient Nations_.

Public-domain text, read in full here on John Shaqi.

Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples

Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples

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