Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
The whole elaborate ceremony of the Mass, which is such an enigma to the
uninstructed, is nowhere vain or repetitious. Every word has its fitting
relation to the whole; every gesture and genuflection, every change of
vestments, has its symbolic significance. All the elements of the rite
are merged into a unity under the sway of this central act of
consecration and oblation. All the lessons, prayers, responses, and hymns
are designed to lead up to it, to prepare the officers and people to
share in it, and to impress upon them its meaning and effect. The
architectural, sculptural, and decorative beauty of altar, chancel, and
apse finds its justification as a worthy setting for the august ceremony,
and as a fitting shrine to harbor the very presence of the Lord. The
display of lights and vestments, the spicy clouds of incense, the
solemnity of priestly chant, and the pomp of choral music, are contrived
solely to enhance the impression of the rite, and to compel the mind into
a becoming mood of adoration.
There are several kinds of Masses, differing in certain details, or in
manner of performance, or in respect to the occasions to which they are
appropriated, such as the High Mass, Solemn High Mass, Low Mass, Requiem
Mass or Mass for the Dead, Mass of the Presanctified, Nuptial Mass,
Votive Mass, etc. The widest departure from the ordinary Mass form is in
the Requiem Mass, where the Gloria and Credo are omitted, and their
places supplied by the mediaeval judgment hymn, Dies Irae, together with
certain special prayers for departed souls. In respect to the customary
service on Sundays, festal, and ferial days there is no difference in the
words of the High Mass, Solemn High Mass, and Low Mass, but only in the
manner of performance and the degree of embellishment. The Low Mass is
said in a low tone of voice and in the manner of ordinary speech, the
usual marks of solemnity being dispensed with; there is no chanting and
no choir music. The High Mass is given in musical tones throughout by
celebrant and choir. The Solemn High Mass is performed with still greater
ritualistic display, and with deacon, sub-deacon, and a full corps of
inferior ministers.
The prayers, portions of Scripture, hymns, and responses which compose
the Catholic liturgy consist both of parts that are unalterably the same
and of parts that change each day of the year. Those portions that are
invariable constitute what is known as the Ordinary of the Mass. The
changeable or “proper” parts include the Introits, Collects, Epistles and
Lessons, Graduals, Tracts, Gospels, Offertories, Secrets, Prefaces,
Communions, and Post-Communions. Every day of the year has its special
and distinctive form, according as it commemorates some event in the life
of our Lord or is devoted to the memory of some saint, martyr, or
confessor.[52] Mass may be celebrated on any day of the year except Good
Friday, the great mourning day of the Church.
Public-domain text, read in full here on John Shaqi.
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