Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
The outline of the Mass ceremony that follows relates to the High Mass,
which may be taken as the type of the Mass in general. It must be borne
in mind that the entire office is chanted or sung.
After the entrance of the officiating priest and his attendants the
celebrant pronounces the words: “In the name of the Father, and of the
Son, and of the Holy Spirit, Amen;” and then recites the 42d psalm (43d
in the Protestant version). Next follows the confession of sin and prayer
for pardon. After a few brief prayers and responses the Introit—a short
Scripture selection, usually from a psalm—is chanted. Then the choir
sings the Kyrie eleison, Christe eleison. The first of these ejaculations
was used in the Eastern Church in the earliest ages as a response by the
people. It was adopted into the liturgies of the Western Church at a very
early period, and is one of the two instances of the survival in the
Latin office of phrases of the original Greek liturgies. The Christe
eleison was added a little later.
The Kyrie is immediately followed by the singing by the choir of the
Gloria in excelsis Deo. This hymn, also called the greater doxology, is
of Greek origin, and is the angelic song given in chapter ii. of Luke’s
Gospel, with additions which were made not later than the fourth century.
It was adopted into the Roman liturgy at least as early as the latter
part of the sixth century, since it appears, connected with certain
restrictions, in the sacramentary of Pope Gregory the Great.
Next are recited the Collects—short prayers appropriate to the day,
imploring God’s blessing. Then comes the reading of the Epistle, a psalm
verse called the Gradual, the Alleluia, or, when that is omitted, the
Tractus (which is also usually a psalm verse), and at certain festivals a
hymn called Sequence. Next is recited the Gospel appointed for the day.
If a sermon is preached its place is next after the Gospel.
The confession of faith—Credo—is then sung by the choir. This symbol is
based on the creed adopted by the council of Nicaea in 325 and modified
by the council of Constantinople in 381, but it is not strictly identical
with either the Nicene or the Constantinople creed. The most important
difference between the Constantinople creed and the present Roman
consists in the addition in the Roman creed of the words “and from the
Son” (filioque) in the declaration concerning the procession of the Holy
Ghost. The present creed has been in use in Spain since 589, and
according to what seems good authority was adopted into the Roman liturgy
in 1014.
After a sentence usually taken from a psalm and called the Offertory, the
most solemn portion of the Mass begins with the Oblation of the Host, the
ceremonial preparation of the elements of bread and wine, with prayers,
incensings, and ablutions.
Public-domain text, read in full here on John Shaqi.
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