Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
Many beautiful and touching stories have come down to us, illustrating
the passionate love of the monks for their songs, and the devout, even
superstitious, reverence with which they regarded them. Among these are
the tales of the Armorican monk Hervé, in the sixth century, who, blind
from his birth, became the inspirer and teacher of his brethren by means
of his improvised songs, and the patron of mendicant singers, who still
chant his legend in Breton verse. His mother, so one story goes, went one
day to visit him in the cloister, and, as she was approaching, said: “I
see a procession of monks advancing, and I hear the voice of my son. God
be with you, my son! When, with the help of God, I get to heaven, you
shall be warned of it, you shall hear the angels sing.” The same evening
she died, and her son, while at prayer in his cell, heard the singing of
the angels as they welcomed her soul in heaven.[59] According to another
legend, told by Gregory of Tours, a mother had taken her only son to a
monastery near Lake Geneva, where he became a monk, and especially
skilful in chanting the liturgic service. “He fell sick and died; his
mother in despair came to bury him, and returned every night to weep and
lament over his tomb. One night she saw St. Maurice in a dream attempting
to console her, but she answered him, ‘No, no; as long as I live I shall
always weep for my son, my only child!’ ‘But,’ answered the saint, ‘he
must not be wept for as if he were dead; he is with us, he rejoices in
eternal life, and tomorrow, at Matins, in the monastery, thou shalt hear
his voice among the choir of the monks; and not to-morrow only, but every
day as long as thou livest.’ The mother immediately arose, and waited
with impatience the first sound of the bell for Matins, to hasten to the
church of the monks. The precentor having intoned the response, when the
monks in full choir took up the antiphon, the mother immediately
recognized the voice of her child. She gave thanks to God; and every day
for the rest of her life, the moment she approached the choir she heard
the voice of her well-beloved son mingle in the sweet and holy melody of
the liturgic chant.”[60]
Public-domain text, read in full here on John Shaqi.
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