Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient PeoplesDickinson, Edward
History
Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples
Dickinson, Edward
Church music
Palestrina was born probably in 1526 (authority of Haberl) and died in
1594. He spent almost the whole of his art life as director of music at
Rome in the service of the popes, being at one time also a singer in the
papal chapel. He enriched every portion of the ritual with compositions,
the catalogue of his works including ninety-five masses. Among his
contemporaries at Rome were men such as Vittoria, Marenzio, the Anerios,
and the Naninis, who worked in the same style as Palestrina. Together
they compose the “Roman school” or the “Palestrina school,” and all that
may be said of Palestrina’s style would apply in somewhat diminished
degree to the writings of this whole group.
Palestrina has been enshrined in history as the “savior of church music”
by virtue of a myth which has until recent years been universally
regarded as a historic fact. The first form of the legend was to the
effect that the reforming Council of Trent (1545-1563) had serious
thoughts of abolishing the chorus music of the Church everywhere, and
reducing all liturgic music to the plain unison chant; that judgment was
suspended at the request of Pope Marcellus II. until Palestrina could
produce a work that should be free from all objectionable features; that
a mass of his composition—the Mass of Pope Marcellus—was performed before
a commission of cardinals, and that its beauty and refinement so
impressed the judges that polyphonic music was saved and Palestrina’s
style proclaimed as the most perfect model of artistic music. This tale
has undergone gradual reduction until it has been found that the Council
of Trent contented itself with simply recommending to the bishops that
they exclude from the churches “all musical compositions in which
anything impure or lascivious is mingled,” yet not attempting to define
what was meant by “impure” and “lascivious.” The commission of cardinals
had jurisdiction only over some minor questions of discipline in the
papal choir, and if Palestrina had the mass in question sung before them
(which is doubtful) it had certainly been composed a number of years
earlier.
Public-domain text, read in full here on John Shaqi.
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