An exceedingly remarkable performance of Schumann's Pianoforte Concerto
was given by Mr. Rosenthal and the orchestra. In no other performance
that we remember was the balance between orchestra and solo part so well
preserved. Mr. Rosenthal played with his usual perfection of technical
mastery; his phrasing was beautifully intelligent, and the distinction
of his style was to be noted no less in the homely sweetness and
graceful fancy of the Intermezzo than in the rich and complex Allegro.
Again, in the finale, his marvellous accuracy and fine phrasing enabled
the hearers to enjoy every _nuance_ of the composition, notwithstanding
a tendency to hurry that was perceptible at certain points. The
tremendous "Don Juan" fantasia, for pianoforte alone, gave Mr. Rosenthal
an opportunity of exhibiting his technical powers in one of the most
audacious _bravura_ compositions that exist. In many persons the fine
frenzy that rages through the middle and latter parts of this piece
awakens no sympathy. It has, nevertheless, a legitimate place in the
Palace of Art, being nothing more than the logical development to the
highest possible point of the _bravura_ style that originated with
Liszt. The latter of the two variations on "_Là ci darem_"--that section
which precedes the entry of the champagne song--is the most bewildering
and repugnant part of the piece to the general public. For that reason,
and also on account of its heart-breaking difficulties, the variation in
question is often omitted. But Mr. Rosenthal omitted nothing yesterday.
He hurled forth the Dionysiac declaration of war against all the chilly
conventions and proprieties, the priggeries and pruderies of Mrs.
Grundy, that forms the real content of the piece, with that technical
power in which he is surpassed by no living performer. After many
recalls he was constrained to play once more; and, by way of the
sharpest possible contrast, he gave Chopin's Berceuse, bringing out all
the delicate moonshine filigree of the right-hand part with infinite
subtlety.
[Sidenote: =Paderewski.=
_October 29, 1902._]
Public-domain text, read in full here on John Shaqi.
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